Overview

"Adolf Loos-A Private Portraitis an unusual, literary biography featuring lively, often humorous, ""snapshots"" of Viennese-Czechoslovak architect Adolf Loos. ""A valuable fine-grained portrait... The English translation of her book is fluent and accurate, conveying well the tone of Claire Loos' original (which, in turn, to some extent mimics Loos' own writing style). Richly informative."" West 86th: A Journal of Decorative Arts, Design History, and Material Culture ""Claire Beck Loos, a gifted photographer and writer, ... reveals much about her ex-husband's mercurial persona in a series of conversationally-toned vignettes .... Claire died tragically at 38, at the Riga concentration camp; her memoir thus becomes a haunting tribute not only to Loos's talents, but to her own.."" -Judy Pollan,Modernism Magazine An intimate collection of vignettes reveals Loos' personality, temperament and philosophy during the last years of his life (1929-1933) and the ways in which he helped shape Modern architecture. This translation, by Constance C. Pontasch and Nicholas Saunders, is the first English edition, the book having enjoyed several reprints in German. The author, Claire Beck Loos, was a photographer and Adolf Loos' last wife. She was born in 1904 in Czechoslovakia; her family were Jewish industrialists and important early clients of Loos, commissioning several apartments in Pilsen and works by the architect's friend Oskar Kokoschka. In addition to being a biography of her husband, Adolf Loos-A Private Portrait also serves as a self-portrait of Claire, a vibrant young artist who died a tragic and untimely death at Riga, a Nazi concentration camp, in 1942. The book includes supplemental texts by Claire's niece Janet Beck Wilson, biographical materials and previously unpublished artistic photographs by the author."

Full Product Details

Author:   Claire Beck Loos ,  Constance C. Pontasch ,  Nicholas Saunders ,  Carrie Paterson
Publisher:   DoppelHouse Press
Imprint:   DoppelHouse Press
Edition:   First ed of English ed
Dimensions:   Width: 13.90cm , Height: 2.00cm , Length: 17.70cm
Weight:   0.326kg
ISBN:  

9780983254003

ISBN 10:   0983254001
Pages:   200
Publication Date:   31 March 2011
Recommended Age:   From 18 years
Audience:   General/trade ,  General ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   Temporarily unavailable  
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Table of Contents

Reviews

"""A valuable fine-grained portrait... The English translation of her book is fluent and accurate, conveying well the tone of Claire Loos' original (which, in turn, to some extent mimics Loos' own writing style). Richly informative."" --Christopher Long, West 86th: A Journal of Decorative Arts, Design History, and Material Culture ""Claire Beck Loos, a gifted photographer and writer, ... reveals much about her ex-husband's mercurial persona in a series of conversationally-toned vignettes ... Claire died tragically at 38, at the Riga concentration camp; her memoir thus becomes a haunting tribute not only to Loos's talents, but to her own.."" --Judy Pollan, Modernism Magazine ""Her artist's way of encapsulating the essential about Loos in a mixture of camera-sharp observations is mitigated by an affectionate regard for the brilliant, but deeply flawed man that he was. The book is hugely perceptive and beautifully written."" --Dr. Irena Murray, Former Director of the British Architectural Library at the Royal Institute of British Architects (RIBA), London ""Claire [Beck Loos]'s book reveals a sharp eye for capturing personality, story and zeitgeist."" --Stewart Oksenhorn, Arts Editor, Aspen Times ""A highly personable and ultimately a sorrowful book about Loos in his declining years ... provides a host of important insights into the man, his intellectual circle, and most importantly his approach to the practice of architecture. The memoir is skillfully and lucidly framed by introductory essays and an Afterword."" --Dr. Harry Mallgrave, Professor of Architecture, Illinois Institute of Technology, Chicago ""[In] short tales of an afternoon or a conversation ... you get a very clear sense of who Loos was as a person, or at least how Claire remembers him: an eccentric who flits between intense joy and fury, generous to a fault, unafraid to disagree intensely with a client, full of quips and contradictory ways of seeing the world. It is indeed a personal portrait, and a surprising, quite wonderful little book."" --Nicole Stock, Urbis architecture magazine, New Zealand ""In razor-sharp anecdotes, some a paragraph, some several pages, Claire writes in the present tense. The result is altogether Loosian: timeless, with as little ornament, but as much empathy, as any protege could deliver. Here, theory in the flesh walks in."" --Barbara Lamprecht, author of Neutra: Complete Works in a book review for the Society of Architectural Historians"

A valuable fine-grained portrait... The English translation of her book is fluent and accurate, conveying well the tone of Claire Loos' original (which, in turn, to some extent mimics Loos' own writing style). Richly informative. --Christopher Long, West 86th: A Journal of Decorative Arts, Design History, and Material Culture Claire Beck Loos, a gifted photographer and writer, ... reveals much about her ex-husband's mercurial persona in a series of conversationally-toned vignettes ... Claire died tragically at 38, at the Riga concentration camp; her memoir thus becomes a haunting tribute not only to Loos's talents, but to her own.. --Judy Pollan, Modernism Magazine Her artist's way of encapsulating the essential about Loos in a mixture of camera-sharp observations is mitigated by an affectionate regard for the brilliant, but deeply flawed man that he was. The book is hugely perceptive and beautifully written. --Dr. Irena Murray, Former Director of the British Architectural Library at the Royal Institute of British Architects (RIBA), London Claire [Beck Loos]'s book reveals a sharp eye for capturing personality, story and zeitgeist. --Stewart Oksenhorn, Arts Editor, Aspen Times A highly personable and ultimately a sorrowful book about Loos in his declining years ... provides a host of important insights into the man, his intellectual circle, and most importantly his approach to the practice of architecture. The memoir is skillfully and lucidly framed by introductory essays and an Afterword. --Dr. Harry Mallgrave, Professor of Architecture, Illinois Institute of Technology, Chicago [In] short tales of an afternoon or a conversation ... you get a very clear sense of who Loos was as a person, or at least how Claire remembers him: an eccentric who flits between intense joy and fury, generous to a fault, unafraid to disagree intensely with a client, full of quips and contradictory ways of seeing the world. It is indeed a personal portrait, and a surprising, quite wonderful little book. --Nicole Stock, Urbis architecture magazine, New Zealand In razor-sharp anecdotes, some a paragraph, some several pages, Claire writes in the present tense. The result is altogether Loosian: timeless, with as little ornament, but as much empathy, as any protege could deliver. Here, theory in the flesh walks in. --Barbara Lamprecht, author of Neutra: Complete Works in a book review for the Society of Architectural Historians

Claire Beck Loos, a gifted photographer and writer, ... reveals much about her ex-husband's mercurial persona in a series of conversationally-toned vignettes .... Claire died tragically at 38, at the Riga concentration camp; her memoir thus becomes a haunting tribute not only to Loos's talents, but to her own... -- Judy Pollan * Modernism Magazine * Her artist's way of encapsulating the essential about Loos in a mixture of camera-sharp observations is mitigated by an affectionate regard for the brilliant, but deeply flawed man that he was. The book is hugely perceptive and beautifully written. -- Dr. Irena Murray * British Architectural Library at the Royal Institute of British Architects (RIBA), London * A valuable fine-grained portrait... The English translation of her book is fluent and accurate, conveying well the tone of Claire Loos' original (which, in turn, to some extent mimics Loos' own writing style). Richly informative. -- Christopher Long * West 86th: A Journal of Decorative Arts, Design History, and Material Culture * [In] short tales of an afternoon or a conversation ... you get a very clear sense of who Loos was as a person, or at least how Claire remembers him: an eccentric who flits between intense joy and fury, generous to a fault, unafraid to disagree intensely with a client, full of quips and contradictory ways of seeing the world. It is indeed a personal portrait, and a surprising, quite wonderful little book. -- Nicole Stock * Urbis architecture magazine, New Zealand * A highly personable and ultimately a sorrowful book about Loos in his declining years ... provides a host of important insights into the man, his intellectual circle, and most importantly his approach to the practice of architecture. The memoir is skillfully and lucidly framed by introductory essays and an Afterword. -- Dr. Harry Mallgrave * Illinois Institute of Technology, Chicago * In razor-sharp anecdotes, some a paragraph, some several pages, Claire writes in the present tense. The result is altogether Loosian: timeless, with as little ornament, but as much empathy, as any protege could deliver. Here, theory in the flesh walks in. -- Barbara Lamprecht * Author of Neutra: Complete Works in a book review for the Society of Architectural Historians *

A valuable fine-grained portrait The English translation of her book is fluent and accurate, conveying well the tone of Claire Loos original (which, in turn, to some extent mimics Loos own writing style). Richly informative. Christopher Long, West 86th: A Journal of Decorative Arts, Design History, and Material Culture Claire Beck Loos, a gifted photographer and writer, reveals much about her ex-husband s mercurial persona in a series of conversationally-toned vignettes . Claire died tragically at 38, at the Riga concentration camp; her memoir thus becomes a haunting tribute not only to Loos's talents, but to her own.. Judy Pollan, Modernism Magazine Her artist s way of encapsulating the essential about Loos in a mixture of camera-sharp observations is mitigated by an affectionate regard for the brilliant, but deeply flawed man that he was. The book is hugely perceptive and beautifully written. Dr. Irena Murray, Former Director of the British Architectural Library at the Royal Institute of British Architects (RIBA), London Claire [Beck Loos]'s book reveals a sharp eye for capturing personality, story and zeitgeist. Stewart Oksenhorn, Arts Editor, Aspen Times A highly personable and ultimately a sorrowful book about Loos in his declining years provides a host of important insights into the man, his intellectual circle, and most importantly his approach to the practice of architecture. The memoir is skillfully and lucidly framed by introductory essays and an Afterword. Dr. Harry Mallgrave, Professor of Architecture, Illinois Institute of Technology, Chicago [In] short tales of an afternoon or a conversation you get a very clear sense of who Loos was as a person, or at least how Claire remembers him: an eccentric who flits between intense joy and fury, generous to a fault, unafraid to disagree intensely with a client, full of quips and contradictory ways of seeing the world. It is indeed a personal portrait, and a surprising, quite wonderful little book. Nicole Stock, Urbis architecture magazine, New Zealand In razor-sharp anecdotes, some a paragraph, some several pages, Claire writes in the present tense. The result is altogether Loosian: timeless, with as little ornament, but as much empathy, as any protege could deliver. Here, theory in the flesh walks in. Barbara Lamprecht, author of Neutra: Complete Works in a book review for the Society of Architectural Historians

Author Information

Claire Beck Loos: Claire Beck Loos (b. 1904 Pilsen, Czechoslovakia; d. 1942 Riga) studied photography at the Graphische Lehr- und Versuchsanstalt in Vienna, was a photographer and writer. She worked in photographer Hede Pollak's atelier in Prague. She married Adolf Loos and is best known for her portraiture of him. She died in the Holocaust. Carrie Paterson: Carrie Paterson is an artist and writer who lives in Los Angeles. She writes for contemporary art journals and has her own publishing company, DoppelHouse Press. She is the grand-niece of Claire Beck Loos. Janet Beck Wilson: Janet Beck Wilson is a writer and former Rock and Roll zine editor. She is the niece of Claire Beck Loos.

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