Overview

This volume provides an invaluable overview of Walter Benjamin's writings about technology, history and politics, and the visual. From a variety of theoretical viewpoints, twelve brilliant scholars have come together to map the aura -- perhaps the most elusive concept in Benjamin's philosophy. The collection is a scholarly feat that serves as an introduction to one of the greatest writers of the twentieth century, while at the same time providing new perspectives for the advanced reader. The writings of Walter Benjamin once hovered on the margins of modern literary genres. From there he developed a unique type of critical writing, positioned between the technical, historical and political ramifications of dialectical thinking. Today Benjamin is centrally placed in most curricula for modern art, literature, and social sciences, and his text ""The Work of Art in the Age of its Technical Reproducibility"" is often referred to in contemporary critical theory. It is in this article that readers have to confront the notorious concept of the aura. This concept characterises the typically bourgeois way of relating to art, history, media and perception, but the aura is also a philosophical concept with complex implications for a dialectical sociology, aesthetics and history. Assessing the critical force of Benjamin's concept in our time is the prime achievement of this collection. ""Actualities of Aura"" will be indispensable reading for anyone engaged in the discourses of visual culture, critical theory and continental philosophy.

Full Product Details

Author:   Dag Petersson ,  Erik Steinskog
Publisher:   Nordisk sommeruniversitet NSU Press
Imprint:   Nordisk sommeruniversitet NSU Press
Dimensions:   Width: 15.00cm , Height: 2.50cm , Length: 21.00cm
Weight:   0.413kg
ISBN:  

9789188484253

ISBN 10:   9188484254
Pages:   297
Publication Date:   01 December 2005
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Introduction: Collecting Twelve Studies of Walter Benjamin; Fabricating Aura: The Face in Film; The Politics of Aura and Imagination in Benjamin's Writings on Hashish; Transformations of Readability and Time: A Case of Reproducibility and Cloning; The Aura in Photography and the Task of the Historian; Ruinous Aura: From Sunset Boulevard to Mulholland Drive; The Inactuality of Aura: Figural Relations in Walter Benjamin's On Some Motifs in Baudelaire ; Is There an Answer to the Aestheticisation of the Political? Some Remarks on a Passage in Benjamin's Work of Art Essay; In the Midst of the Monad: Reflections on Auratic Alignments of the Everyday in Leibniz and Benjamin; The Afterlife of Judaism: From the Book of Splendour to Benjamin's Shooting Stars; The Decay of Aura/The Aura of Decay; The Phantasmagoria of the Spectacle: A Critique of Media Culture; Images of the Aura: Some Motifs in French Modernism.

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