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OverviewWhy are today's students not realizing their potential as critical thinkers? Although educators have, for two decades, incorporated contemporary cultural studies into the teaching of composition and rhetoric, many students lack the powers of self-expression that are crucial for effecting social change. Acts of Enjoyment presents a critique of current pedagogies and introduces a psychoanalytical approach in teaching composition and rhetoric. Thomas Rickert builds upon the advances of cultural studies and its focus on societal trends and broadens this view by placing attention on the conscious and subconscious thought of the individual. By introducing the cultural theory work of Slavoj Zizek, Rickert seeks to encourage personal and social invention - rather than simply following a course of unity, equity, or consensus that is so prevalent in current writing instruction. He argues that writing should not be treated as a simple skill, as naive self-expression, or as a tool for personal advancement, but rather as a reflection of social and psychical forces, such as jouissance (enjoyment/sensual pleasure), desire, and fantasy - creating a more sophisticated, panoptic form. The goal of the psychoanalytical approach is to highlight the best pedagogical aspects of cultural studies to allow for well-rounded individual expression, ultimately providing the tools necessary to address larger issues of politics, popular culture, ideology, and social transformation. Full Product DetailsAuthor: Thomas RickertPublisher: University of Pittsburgh Press Imprint: University of Pittsburgh Press ISBN: 9780822943334ISBN 10: 0822943336 Pages: 368 Publication Date: 15 May 2007 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Awaiting stock The supplier is currently out of stock of this item. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out for you. Table of ContentsReviewsA provocative book whose major contribution is, unquestionably, the lucid distillation of key psychoanalytic concepts. JAC A provocative book whose major contribution is, unquestionably, the lucid distillation of key psychoanalytic concepts. --JAC Acts of Enjoyment puts the work of Slavoj Zizek into dialogue with composition studies, a dialogue that's been resisted for far too long. Rickert insists that we focus on the materiality of language and of the 'body' of the writer, and understand that writing resists the writer as much as writers resists writing. It's a bold book that isn't afraid to complicate and upend some of the most dearly-held pieties of the field. --Michael Bernard-Donals, University of Wisconsin Rickert offers a belated dialogue between Zizek and composition studies, one that productively theorizes an ethics of writing without nostalgically bemoaning the loss of the unitary subject. --South Atlantic Review Rickert hones in incisively on the weakness of the various pedagogies that poststructuralism has spawned, especially as they have been translated into the composition classroom. Relying primarily on Slavoj Zizek's mode of neo-Lacanian psychoanalysis and his own notion of jouissance, Rickert offers a transformative corrective, one I am persuaded by at every turn, and some of which is quite delightfully unexpected. --Paul Kameen, University of Pittsburgh Acts of Enjoyment puts the work of Slavoj Zizek into dialogue with composition studies, a dialogue that's been resisted for far too long. Rickert insists that we focus on the materiality of language and of the 'body' of the writer, and understand that writing resists the writer as much as writers resists writing. It's a bold book that isn't afraid to complicate and upend some of the most dearly-held pieties of the field. <br> --Michael Bernard-Donals, University of Wisconsin Acts of Enjoyment puts the work of Slavoj Zizek into dialogue with composition studies, a dialogue that's been resisted for far too long. Rickert insists that we focus on the materiality of language and of the 'body' of the writer, and understand that writing resists the writer as much as writers resists writing. It's a bold book that isn't afraid to complicate and upend some of the most dearly-held pieties of the field. --Michael Bernard-Donals, University of Wisconsin A provocative book whose major contribution is, unquestionably, the lucid distillation of key psychoanalytic concepts. JAC Rickert offers a belated dialogue between Zizek and composition studies, one that productively theorizes an ethics of writing without nostalgically bemoaning the loss of the unitary subject. South Atlantic Review Acts of Enjoyment puts the work of Slavoj Zizek into dialogue with composition studies, a dialogue that's been resisted for far too long. Rickert insists that we focus on the materiality of language and of the 'body' of the writer, and understand that writing resists the writer as much as writers resists writing. It's a bold book that isn't afraid to complicate and upend some of the most dearly-held pieties of the field. --Michael Bernard-Donals, University of Wisconsin Rickert hones in incisively on the weakness of the various pedagogies that poststructuralism has spawned, especially as they have been translated into the composition classroom. Relying primarily on Slavoj Zizek's mode of neo-Lacanian psychoanalysis and his own notion of jouissance, Rickert offers a transformative corrective, one I am persuaded by at every turn, and some of which is quite delightfully unexpected. --Paul Kameen, University of Pittsburgh Acts of Enjoyment puts the work of Slavoj Zizek into dialogue with composition studies, a dialogue that's been resisted for far too long. Rickert insists that we focus on the materiality of language and of the 'body' of the writer, and understand that writing resists the writer as much as writers resists writing. It's a bold book that isn't afraid to complicate and upend some of the most dearly-held pieties of the field. --Michael Bernard-Donals, University of Wisconsin Rickert hones in incisively on the weakness of the various pedagogies that poststructuralism has spawned, especially as they have been translated into the composition classroom. Relying primarily on Slavoj Zizek's mode of neo-Lacanian psychoanalysis and his own notion of jouissance, Rickert offers a transformative corrective, one I am persuaded by at every turn, and some of which is quite delightfully unexpected. --Paul Kameen, University of Pittsburgh Acts of Enjoyment puts the work of Slavoj Zizek into dialogue with composition studies, a dialogue that's been resisted for far too long. Rickert insists that we focus on the materiality of language and of the 'body' of the writer, and understand that writing resists the writer as much as writers resists writing. It's a bold book that isn't afraid to complicate and upend some of the most dearly-held pieties of the field. --Michael Bernard-Donals, University of Wisconsin Rickert hones in incisively on the weakness of the various pedagogies that poststructuralism has spawned, especially as they have been translated into the composition classroom. Relying primarily on Slavoj Zizek's mode of neo-Lacanian psychoanalysis and his own notion of jouissance, Rickert offers a transformative corrective, one I am persuaded by at every turn, and some of which is quite delightfully unexpected. --Paul Kameen, University of Pittsburgh Acts of Enjoyment puts the work of Slavoj Zizek into dialogue with composition studies, a dialogue that's been resisted for far too long. Rickert insists that we focus on the materiality of language and of the 'body' of the writer, and understand that writing resists the writer as much as writers resists writing. It's a bold book that isn't afraid to complicate and upend some of the most dearly-held pieties of the field. --Michael Bernard-Donals, University of Wisconsin Rickert hones in incisively on the weakness of the various pedagogies that poststructuralism has spawned, especially as they have been translated into the composition classroom. Relying primarily on Slavoj Zizek's mode of neo-Lacanian psychoanalysis and his own notion of jouissance, Rickert offers a transformative corrective, one I am persuaded by at every turn, and some of which is quite delightfully unexpected. --Paul Kameen, University of Pittsburgh Author InformationThomas Rickert is assistant professor of English at Purdue University. Tab Content 6Author Website:Countries AvailableAll regions |