|
|
|||
|
||||
OverviewArchitecture is made by use and by design. Drawing on the work of a wide range of architects, artists and writers, this book considers the relations between the architect and the user, which it compares to the relations between the artist and viewer and the author and reader. The book's thesis is informed by the text 'The Death of the Author', in which Roland Barthes argues for a writer aware of the creativity of the reader. 'The Death of the Author' is an important influence on artistic production, encouraging less didactic subject-object and artist-viewer relations than ones familiar in the art gallery. Its relevance to architecture is equally strong but largely unnoticed. Actions of Architecture argues for an architect aware of the creativity of the user. With a role as important in the formulation of architecture as that of the architect, the creative user either produces a new space or gives an existing one meanings and uses contrary to established behaviour. Actions of Architecture begins with a critique of strategies that define the user as passive and predictable, such as contemplation and functionalism. Subsequently it considers how an awareness of user creativity informs architecture, architects and concepts of authorship in architectural design. Identifying strategies that recognize user creativity, such as appropriation, collaboration, disjunction, DIY, montage, polyvalence and uselessness, Actions of Architecture states that the creative user should be the central concern of architectural design. Full Product DetailsAuthor: Jonathan HillPublisher: Taylor & Francis Ltd Imprint: Routledge Dimensions: Width: 18.90cm , Height: 1.30cm , Length: 24.60cm Weight: 0.430kg ISBN: 9780415290432ISBN 10: 0415290430 Pages: 230 Publication Date: 29 May 2003 Audience: College/higher education , Professional and scholarly , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction 1. The Role of the User 1.1 The Passive User 1.2 From the Reactive User to the Creative User 1.3 The Creative User 1.4 Conclusion 2. Montage After Shock 2.1 The Montage of Fragments 2.2 The Montage of Gaps 2.3 The Institute of Illegal Architects 2.4 Weather Architecture (Berlin 1929-1930, Barcelona 1986-, Barcelona 1999) 2.5 White on White 2.6 Electromagnetic Weather 2.7 The Subject is Matter 2.8 Turning a Wall into a Window 2.9 ConclusionReviews<p>'A book as important for its theoretical grounding as for its relevance to the future of the profession.' - Bobby Open, The Architectural Review<p>'A stimulating and exciting book that is imaginative and thought provoking ... the importance of the book is that it is one of the few to challeneg orthodox ideas and practices in the architectural profession, and for this it deserves to be widely read.' - Environment and Planning B 'A book as important for its theoretical grounding as for its relevance to the future of the profession.' - Bobby Open, The Architectural Review 'A stimulating and exciting book that is imaginative and thought provoking ... the importance of the book is that it is one of the few to challeneg orthodox ideas and practices in the architectural profession, and for this it deserves to be widely read.' - Environment and Planning B 'A book as important for its theoretical grounding as for its relevance to the future of the profession.' - Bobby Open, The Architectural Review 'A stimulating and exciting book that is imaginative and thought provoking ... the importance of the book is that it is one of the few to challeneg orthodox ideas and practices in the architectural profession, and for this it deserves to be widely read.' - Environment and Planning B 'A book as important for its theoretical grounding as for its relevance to the future of the profession.' - Bobby Open, The Architectural Review 'A stimulating and exciting book that is imaginative and thought provoking ... the importance of the book is that it is one of the few to challeneg orthodox ideas and practices in the architectural profession, and for this it deserves to be widely read.' - Environment and Planning B Author InformationJonathan Hill is Director of the MPhil/PhD by Architectural Design at the Bartlett School of Architecture, University College London. Galleries where he has had solo exhibitions include the Haus der Architektur, Graz, and Architektur-Galerie am Weissenhof, Stuttgart. Jonathan is author of The Illegal Architect and editor of Occupying Architecture: Between the Architect and the User and Architecture Tab Content 6Author Website:Countries AvailableAll regions |