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OverviewThis collection presents, for the first time in English, Jean-Francois Lyotard's major essays on film: 'Acinema', 'The Unconscious as Mise-en-scene', 'Two Metamorphoses of the Seductive in Cinema' and 'The Idea of a Sovereign Film'. Then, eight critical essays by philosophers and film theorists examine Lyotard's film work and influence across two sections: 'Approaches and Interpretations' and 'Applications and Extensions'. These works are complemented by an introductory essay by leading French scholar Jean-Michel Durafour on Lyotard's film-philosophy, an overview of Lyotard's practical film projects written by his collaborators Claudine Eizykman and Guy Fihman, and the synopsis for a later film project Memorial Immemorial, which Lyotard proposed but was not produced. Jean-Francois Lyotard was the most significant aesthetician of the poststructuralist generation, but this dimension of his thought is only recently beginning to receive the attention it deserves in the English-speaking world. He devoted a number of essays to film, and was involved in making several experimental short films. Lyotard's reflections on film offer a perspective which seeks to do justice to it as an art by focusing on its aesthetic, material qualities. His work in this area remains a largely untapped resource, with the potential for inaugurating exciting new directions in film-philosophy. Full Product DetailsAuthor: Graham Jones , Ashley WoodwardPublisher: Edinburgh University Press Imprint: Edinburgh University Press ISBN: 9781474418935ISBN 10: 1474418937 Pages: 240 Publication Date: 30 September 2017 Audience: College/higher education , Tertiary & Higher Education Format: Hardback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsReviews"Acinemas serves its purpose admirably: to prompt further thinking about Lyotard and film, and to offer some stimulating resources for so doing. --Dominic Lash ""Film-Philosophy """ "The authors in this collection identify the paradox that the other visual arts were a more pervasive reference for Lyotard himself than was film in developing his theories. Yet it was acinema, the most experimental uses of cinema that provided additional challenges for his unique theories of the figural. The contention of this book is one that I applaud - that Lyotard, a philosopher of drift and transformations of all forms, should be given more attention in any philosophy of film.-- ""Maureen Cheryn Turim, University of Florida"" Acinemas serves its purpose admirably: to prompt further thinking about Lyotard and film, and to offer some stimulating resources for so doing.--Dominic Lash ""Film-Philosophy""" Acinemas serves its purpose admirably: to prompt further thinking about Lyotard and film, and to offer some stimulating resources for so doing. --Dominic Lash Film-Philosophy Author InformationGraham Jones is Lecturer in Creative Writing, Literary Studies and Media and Communications at Monash University, Australia. Ashley Woodward is Lecturer in Philosophy at the University of Dundee and is a founding member of the Melbourne School of Continental Philosophy. Tab Content 6Author Website:Countries AvailableAll regions |