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Excerpt from Abhandlungen zur Philosophie der Kunst, Vol. 4: 1. Romeo und Julia, 2. Der Kaufmann von Venedig, mit Besonderer Beziehung auf die Kunst der Dramatischen Darstellung Entwickelt Sn ber et, wie f�'iber in bee berfaffer� erfter 9lbtb'eilung, (c)baie�beere'ei. R�nig 2ear, ale Qierr�bmng ber bbilofopbif eben $ebanblung bee Run!tmeri6 entboieieit ibnrbr, eefebeinen ie�t 91omeo unb 3ulia unb ber Raub mann bon 93euebig; nur ba� ber %erfaffer noeb mcbr in bie (c)ebrimm'ffe ber Rompofrtion unb in bie ibefonber= beit ber. (R)eftaltung eingubringen bem�bt getrefen ift. @ab bamal� bie miffenflbaftliobe Rritil in biefer 9)ietbobe eine bie befruebtenbe �b�tigfeit, fo mirb fie bielleiebt ber gegenibiirtigen ebeit ba8 3eugni� eine6 %ort: febritt6 unb namentliob einer norb gr��eren @errfrbaft be8 (c)ebanien6 �ber bie geftaltenbe 3b�tigieit bee R�nftler8 niebt berfagen. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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