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OverviewOver the last five years, a cycle of films has emerged addressing the ongoing Iraq conflict. Some became well-known and one of them, The Hurt Locker, won a string of Oscars. But many others disappeared into obscurity. What is it about these films that led Variety to dub them a 'toxic genre'? Martin Barker analyses the production and reception of these recent Iraq war films. Among the issues he examines are the borrowing of soldiers' YouTube styles of self-representation to generate an 'authentic' Iraq experience, and how they take refuge in 'apolitical' post-traumatic stress disorder. Barker also looks afresh at some classic issues in film theory: the problems of accounting for film 'failures', the shaping role of production systems, the significance of genre-naming and the impact of that 'toxic' label. A 'Toxic Genre' is fascinating reading for film studies students and anyone interested in cinema's portrayal of modern warfare. Full Product DetailsAuthor: Martin BarkerPublisher: Pluto Press Imprint: Pluto Press Dimensions: Width: 13.50cm , Height: 1.50cm , Length: 21.50cm Weight: 0.347kg ISBN: 9780745331300ISBN 10: 0745331300 Pages: 216 Publication Date: 03 June 2011 Audience: College/higher education , Professional and scholarly , Undergraduate , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Out of Stock Indefinitely Availability: In Print  Limited stock is available. It will be ordered for you and shipped pending supplier's limited stock. Table of ContentsAcknowledgements 1. The disappearing Iraq war films 2. No True Glory: the film that never was 3. Constructing an ‘Iraq war experience’ 4. From Doughboys to Grunts: the ‘American soldier’ 5. Understanding film ‘failures’ 6. Bringing the war home 7. Explaining the Iraq war 8. Producing a ‘toxic genre’ 9. Free-riders and outliers 10. Latino grunts: the new victim-heroes 11. The Hurt Locker and beyond Notes Bibliography IndexReviews'A touchstone: the first to comprehend entirely the wave of war films in the decade following 9/11. As a chronicle, it is encyclopedic. As a work of interpretation, it deftly sketches the complex of narrative contradictions that animate the genre. Baker's book cuts like a laser sight through the fog of contemporary war film' -- Roger Stahl, Associate Professor in the Department of Speech Communication at University of Georgia, author of Militainment, Inc(2009). 'One of the best studies yet of filmmaking in our contemporary age of war. This volume is an indispensable guide both to a challenging cycle of films and to the wider struggle of cinema to be seriously political today' -- David Slocum, Professor and Faculty Director of the Executive MBA Program at the Berlin School of Creative Leadership, Steinbeis University, editor of Hollywood and War (2006). 'An excellent and original analysis of a range of films related to the war in Iraq that also makes a wider contribution to our understanding of the various pressures. Lucidly argued and a model of level-headed analysis' -- Geoff King, Professor of Film and TV Studies, Brunel University, London 'A critical, multidimensional analysis of how film culture deals with war and politics. Clearly written, broadly informed, and engagingly insightful' -- Michael Parenti, author of God and His Demons and The Face of Imperialism A critical, multidimensional analysis of how film culture deals with war and politics. Clearly written, broadly informed, and engagingly insightful. -- Michael Parenti, author of God and His Demons and The Face of Imperialism An excellent and original analysis of a range of films related to the war in Iraq that also makes a wider contribution to our understanding of the various pressures and shaping influences brought to bear on such productions in both Hollywood and parts of the independent sector. Lucidly argued and a model of level-headed analysis. -- Geoff King, Professor of Film and TV Studies, Brunel University, London Martin Barker has produced one of the best studies yet of filmmaking in our contemporary age of war. This volume is an indispensable guide both to a challenging cycle of films and to the wider struggle of cinema to be seriously political today. -- David Slocum, Professor and Faculty Director of the Executive MBA Program at the Berlin School of Creative Leadership, Steinbeis University, editor of Hollywood and War (2006). A 'Toxic' Genre is a touchstone: the first to comprehend entirely the wave of war films in the decade following 9/11. As a chronicle, it is encyclopedic. As a work of interpretation, it deftly sketches the complex of narrative contradictions that animate the genre. Baker's book cuts like a laser sight through the fog of contemporary war film. -- Roger Stahl, Associate Professor in the Department of Speech Communication at University of Georgia, author of Militainment, Inc(2009). Author InformationMartin Barker was a British scholar of media and cultural studies. He was Emeritus Professor at Aberystwyth University. Over the course of his career he has written or co-edited fifteen books, including A 'Toxic Genre' and From Antz to Titanic. He was known for being one of the pioneers behind the concept of cultural racism, which he termed 'new racism'. Tab Content 6Author Website:Countries AvailableAll regions |
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