Overview

""Um, holy shit...This novel will be the most fun you'll have this summer."" -Emily Temple, Literary Hub Remy and Alicia, a couple of insecure service workers, are not particularly happy together. But they are bound by a shared obsession with Jen, a beautiful former co-worker of Remy's who now seems to be following her bliss as a globe-trotting jewelry designer. In and outside the bedroom, Remy and Alicia's entire relationship revolves around fantasies of Jen, whose every Instagram caption, outfit, and new age mantra they know by heart. Imagine their confused excitement when they run into Jen, in the flesh, and she invites them on a surfing trip to the Hamptons with her wealthy boyfriend and their group. Once there, Remy and Alicia try (a little too hard) to fit into Jen's exalted social circle, but violent desire and class resentment bubble beneath the surface of this beachside paradise, threatening to erupt. As small disturbances escalate into outright horror, we find ourselves tumbling with Remy and Alicia into an uncanny alternate reality, one shaped by their most unspeakable, deviant, and intoxicating fantasies. Is this what ""self-actualization"" looks like? Part millennial social comedy, part psychedelic horror, and all wildly entertaining, A Touch of Jen is a sly, unflinching examination of the hidden drives that lurk just outside the frame of our carefully curated selves.

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9780316704267

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Reviews

The funniest (and most twisted) book of the year. --Tony Tulathimutte, author of PRIVATE CITIZENS A Touch of Jen is hipster noir, acerbic social parable and slasher gore-fest: as if Patricia Highsmith, Chris Kraus, and Ann Quin all crashed a Hamptons beach party, and John Carpenter dropped in with some weed. --Tom McCarthy, author of REMAINDER and SATIN ISLAND Morgan has created a fabulous monster here, legitimately Frankensteined herself a wicked, unflinching, dynamite novel out of razor-sharp dialogue, toxic social media culture, and the nonsense notion that the self is just another brand to be endlessly plumbed for content. Wildly hilarious and absolutely terrifying, A Touch of Jen is truly a touch of genius. I loved every minute of it. --Kristen Arnett, New York Times bestselling author of MOSTLY DEAD THINGS Morgan's got swagger. A Touch of Jen will draw you in with its electric rhythm and razor-sharp wit, but it will make you stay with its wild, beating heart. I came for the blood-thirsty monsters, I left moved by Morgan's deep understanding of the day-to-day absurdity and pain of 21st century existence. A banger of a debut and the arrival of a bold new voice in fiction. --Jean Kyoung Frazier, author of PIZZA GIRL

The funniest (and most twisted) book of the year. --Tony Tulathimutte, author of PRIVATE CITIZENS Morgan has created a fabulous monster here, legitimately Frankensteined herself a wicked, unflinching, dynamite novel out of razor-sharp dialogue, toxic social media culture, and the nonsense notion that the self is just another brand to be endlessly plumbed for content. Wildly hilarious and absolutely terrifying, A Touch of Jen is truly a touch of genius. I loved every minute of it. --Kristen Arnett, New York Times bestselling author of MOSTLY DEAD THINGS A Touch of Jen is hipster noir, acerbic social parable and slasher gore-fest: as if Patricia Highsmith, Chris Kraus, and Ann Quin all crashed a Hamptons beach party, and John Carpenter dropped in with some weed. --Tom McCarthy, author of REMAINDER and SATIN ISLAND

The funniest (and most twisted) book of the year. --Tony Tulathimutte, author of PRIVATE CITIZENS A Touch of Jen is hipster noir, acerbic social parable and slasher gore-fest: as if Patricia Highsmith, Chris Kraus, and Ann Quin all crashed a Hamptons beach party, and John Carpenter dropped in with some weed. --Tom McCarthy, author of REMAINDER and SATIN ISLAND

Author Information

Beth Morgan grew up outside Sherman, Texas and studied writing as an undergraduate at Sarah Lawrence College. She is currently completing an MFA at Brooklyn College. Her work has been published in The Iowa Review and The Kenyon Review Online.

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