Overview

Drawing on meticulous research, sharp wit, and insightful analysis, Richard Barrios illuminates the origins of the movie musical in this extensively revised and updated edition of his highly acclaimed A Song in the Dark. From Warner Bros. and Jolson, to the Oscar-winning Broadway Melody and beyond, here is the whole funny and peculiar history of these films, their creators, and their audiences. Ranging from the smash hits of The Singing Fool and Sunny Side Up to bizarre flops like Golden Dawn and Cecil B. DeMille's Madam Satan, they form a body of work unlike anything else in the history of popular entertainment. Here too are legendary performers, directors, and composers: from Fannie Brice, James Cagney, and Mae West, to Busby Berkeley, George and Ira Gershwin, Richard Rodgers, Oscar Hammerstein, and countless others. With many new rare photographs, some not published in nearly 80 years, this new edition traces the rise and fall, and rise again, of this quintessential piece of the American experience.

Full Product Details

Author:   Richard Barrios
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Edition:   2nd Revised edition
Dimensions:   Width: 15.50cm , Height: 2.50cm , Length: 23.10cm
Weight:   0.703kg
ISBN:  

9780195377347

ISBN 10:   0195377346
Pages:   504
Publication Date:   26 November 2009
Audience:   General/trade ,  Adult education ,  General ,  Further / Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   To order  
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Table of Contents

ACKNOWLEDGMENTS INTRODUCTION 1: VITAPHONE PRELUDE 2: THE SOUND BARRIER 3: YOU WERE MEANT FOR ME 4: ON WITH THE SHOW! 5: FINDING A VOICE 6: DUELING MAMMIES 7: HOLLYWOOD, REVUED 8: BROADWAY BABIES 9: WITH ALL ITS ORIGINAL STAGE ENCHANTMENT 10: JUST IMAGINE 11: THE CUCKOOS 12: OF VIENNESE NIGHTS AND GOLDEN DAWNS 13: IS IT A MUSICAL? 14: THE MARCH OF TIME 15: VOICES IN THE WILDERNESS 16: WE'RE IN THE MONEY 17: THE PAST AS PROLOGUE FINALE Appendix One: NOTES ON LOST FILMS Appendix Two: A SELECTIVE DISCOGRAPHY: EARLY MUSICALS ON RECORD SOURCE NOTES SELECTED BIBLIOGRAPHY INDEX

Reviews

<br> This lively, intelligent and well-researched survey tells the tumultuous and often delightfully absurd saga of the film industry's frantic, disaster-laced efforts in the late 1920's and early 1930's to fabricate a new, lucrative product -- the movie musical -- as part of its effort to come to grips with the new technology of sound. Mr. Barrios makes clear that contrary to myth The Jazz Singer, featuring the overbearing Al Jolson, was neither the first major motion picture to use sound nor the first to make notable use of music. A Song in the Dark deals engagingly with its colorful and fascinating subject, and it is illuminating not only on artistic concerns, but on business and technical ones as well, including the process by which many of these films, previously declared lost, have been found and restored. It makes an effective case for a re-examination of this audacious, excessive and underappreciated moment in motion picture history. -New York Times<br> For anyone who is drawn

<br> This lively, intelligent and well-researched survey tells the tumultuous and often delightfully absurd saga of the film industry's frantic, disaster-laced efforts in the late 1920's and early 1930's to fabricate a new, lucrative product -- the movie musical -- as part of its effort to come to grips with the new technology of sound. Mr. Barrios makes clear that contrary to myth The Jazz Singer, featuring the overbearing Al Jolson, was neither the first major motion picture to use sound nor the first to make notable use of music. A Song in the Dark deals engagingly with its colorful and fascinating subject, and it is illuminating not only on artistic concerns, but on business and technical ones as well, including the process by which many of these films, previously declared lost, have been found and restored. It makes an effective case for a re-examination of this audacious, excessive and underappreciated moment in motion picture history. -New York Times<p><br> For anyone who is dra

This lively, intelligent and well-researched survey tells the tumultuous and often delightfully absurd saga of the film industry's frantic, disaster-laced efforts in the late 1920's and early 1930's to fabricate a new, lucrative product - the movie musical - as part of its effort to come to grips with the new technology of sound. Mr. Barrios makes clear that contrary to myth The Jazz Singer, featuring the overbearing Al Jolson, was neither the first major motion picture to use sound nor the first to make notable use of music. A Song in the Dark deals engagingly with its colorful and fascinating subject, and it is illuminating not only on artistic concerns, but on business and technical ones as well, including the process by which many of these films, previously declared lost, have been found and restored. It makes an effective case for a re-examination of this audacious, excessive and underappreciated moment in motion picture history. * New York Times *

This lively, intelligent and well-researched survey tells the tumultuous and often delightfully absurd saga of the film industry's frantic, disaster-laced efforts in the late 1920's and early 1930's to fabricate a new, lucrative product -- the movie musical -- as part of its effort to come to grips with the new technology of sound. Mr. Barrios makes clear that contrary to myth The Jazz Singer, featuring the overbearing Al Jolson, was neither the first major motion picture to use sound nor the first to make notable use of music. A Song in the Dark deals engagingly with its colorful and fascinating subject, and it is illuminating not only on artistic concerns, but on business and technical ones as well, including the process by which many of these films, previously declared lost, have been found and restored. It makes an effective case for a re-examination of this audacious, excessive and underappreciated moment in motion picture history. -New York Times For anyone who is drawn to the American Movie Classics channel on cable, or the 'Oldies' shelf at the local video store, Richard Barrios and his book will serve as a hugely well-informed and immensely authoritative ...companion. --Los Angeles Times Fascinating and exhaustive.... The general reader will find immense pleasure in the wealth of detail the author provides about those films that are long-forgotten and in most cases completely lost to the movie student. --The Stage With his definitive A Song in the Dark ...Richard Barrios fills the gap with a zestful account of the teething problems the cinema encountered when it first found its voice and out on its dancing shoes....Informative and hugely entertaining. --The Sunday Express This book fills an important gap in literature on the early days of the musical film, and charts its rise in detail. --BBC Music Magazine Richard Barrios provides an in-depth look at Post-Depression Hollywood. --Tutti Anyone interested in the Broadway and/or movie musical will find this history as engrossing as it is informative...One must be grateful to the author for bringing to life a faraway, misunderstood time of trial and error and turning both the triumphs and the misfires of early movie musicals into fascinating history. --Fontes Artis Musicae

Author Information

Richard Barrios has lectured extensively on film, served as a commentator on numerous DVDs, and co-hosted a series on Turner Classic Movies. He currently lives outside Philadelphia.

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