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OverviewFull Product DetailsAuthor: Vlastimir SudarPublisher: Intellect Imprint: Intellect Books Dimensions: Width: 17.80cm , Height: 2.20cm , Length: 22.90cm Weight: 0.812kg ISBN: 9781841505459ISBN 10: 1841505455 Pages: 366 Publication Date: 15 April 2013 Audience: General/trade , Professional and scholarly , General , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Out of stock  The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsIntroduction Chapter 1: Beginnings Chapter 2: Shoulder to Shoulder Chapter 3: Art as an Inquiry Chapter 4: The Artist as a Feather Collector Chapter 5: The Artist as an Agent Provocateur Chapter 6: The Artist as Master Chapter 7: The Artist in Exile Chapter 8: The Artist, Migrations, and the Last Days ConclusionReviewsVlastimir Sudar's book is the most ambitious and comprehensive attempt thus far to bring into bold relief Aleksandar Petrovic's role as a world-class film artist, political dissident, and a major figure in bringing about the Yugoslav new film or black film period of the 1960s and early '70s. Using an innovative and updated version of auteur theory as a major strategy of film analysis, Sudar discovers and persuasively articulates four basic thematic political paradigms that cut across all of Petrovic's major films. His analysis is further deepened by a remarkable variety and scope of relevant source materials--historical, biographical, cultural, and political--that he critically brings to bear to substantiate and provide a context for his film analysis. <br>--Daniel J. Goulding, Oberlin College Vlastimir Sudar's book is the most ambitious and comprehensive attempt thus far to bring into bold relief Aleksandar Petrovic's role as a world-class film artist, political dissident, and a major figure in bringing about the Yugoslav new film or black film period of the 1960s and early '70s. Using an innovative and updated version of auteur theory as a major strategy of film analysis, Sudar discovers and persuasively articulates four basic thematic political paradigms that cut across all of Petrovic's major films. His analysis is further deepened by a remarkable variety and scope of relevant source materials--historical, biographical, cultural, and political--that he critically brings to bear to substantiate and provide a context for his film analysis. --Daniel J. Goulding, Oberlin College Author InformationVlastimir Sudar teaches film history and theory at the University of the Arts London. Tab Content 6Author Website:Countries AvailableAll regions |
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