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OverviewRecently, scholars in a variety of disciplines—including philosophy, film and media studies, and literary studies—have become interested in the aesthetics, definition, and ontology of the screenplay. To this end, this volume addresses the fundamental philosophical questions about the nature of the screenplay: What is a screenplay? Is the screenplay art—more specifically, literature? What kind of a thing is a screenplay? Nannicelli argues that the screenplay is a kind of artefact; as such, its boundaries are determined collectively by screenwriters, and its ontological nature is determined collectively by both writers and readers of screenplays. Any plausible philosophical account of the screenplay must be strictly constrained by our collective creative and appreciative practices, and must recognize that those practices indicate that at least some screenplays are artworks. Full Product DetailsAuthor: Ted Nannicelli (University of Queensland, Australia)Publisher: Taylor & Francis Ltd Imprint: Routledge Dimensions: Width: 15.20cm , Height: 2.00cm , Length: 22.90cm Weight: 0.690kg ISBN: 9780415521444ISBN 10: 0415521440 Pages: 270 Publication Date: 18 December 2012 Audience: College/higher education , Tertiary & Higher Education , Undergraduate Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviews"""Engaging effectively with an impressive range of relevant literatures and examples, Ted Nanicelli’s book provides a fresh and cogent perspective on the art of the screenplay."" --Paisley Livingston, Department of Philosophy, Lingnan University" Engaging effectively with an impressive range of relevant literatures and examples, Ted Nanicelli's book provides a fresh and cogent perspective on the art of the screenplay. --Paisley Livingston, Department of Philosophy, Lingnan University Engaging effectively with an impressive range of relevant literatures and examples, Ted Nanicelli's book provides a fresh and cogent perspective on the art of the screenplay. --Paisley Livingston, Department of Philosophy, Lingnan University Author InformationTed Nannicelli is Lecturer in Film and Television Studies at the University of Queensland, Australia Tab Content 6Author Website:Countries AvailableAll regions |