Overview

A New History of Documentary Film includes new research that offers a fresh way to understand how the field began and grew. Retaining the original edition’s core structure, there is added emphasis of the interplay among various approaches to documentaries and the people who made them. This edition also clearly explains the ways that interactions among the shifting forces of economics, technology, and artistry shape the form. New to this edition: - An additional chapter that brings the story of English language documentary to the present day - Increased coverage of women and people of color in documentary production - Streaming - Animated documentaries - List of documentary filmmakers, organized chronologically by the years of their activity in the field

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9781501385155

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Reviews

Clearly written, rich with well-researched, historical details, and contemporary critical insights, Betsy A. McLane's A New History of Documentary Film, 3rd ed., informs and analyzes (primarily) English language, nonfiction film, including recent works by women and non-white documentarians. Enhancing understanding and increasing enjoyment, McLane expands our knowledge, placing works within social and cultural, political and personal contexts, illuminating technical and aesthetic elements alike with well-chosen examples. This book is a joy to read with ample illustrations, text, and film recommendations and a useful index. * Diane Carson, Professor Emerita and Past President, St. Louis Community College and University Film and Video Association, USA * Documentary film is all around us. Cinema was born non-fictional but the history of film for too long did not devote to documentary the due attention. It was a global shortsightness, not restricted to the anglophile world. Fortunately those days are gone. Building from the groundbreaking work of Erik Barnouw and her own partnership with Jack S. Ellis for the first version of A New History of Documentary Film (2005), Betsy A. McLane regales us with a third, brand new edition, reviewing and updating a book that was already unique and prodigious when last appeared one decade ago. In a single volume here is the evolution of the documentary cinema, introducing the pioneer production of Robert Flaherty and Western European and Soviet documentarists and focusing especially on the USA, UK and Canada experiences, from its first steps to our 21st Century in all its diversity of voices and formats. Elegantly written and full of insights about an ever changing landscape, it is an essential guide for moviegoers, film students, filmmakers and any reader interested in a better understanding of one of the fundamental artistic expressions of an increasingly complex world. * Amir Labaki, Founder and director, E Tudo Verdade/It's All True International Documentary Film Festival, Brazil, and author of A Verdade de Cada Um - O Documentario na Visao de Seus Principais Realizadores (2015) and Introducao ao Documentario Brasileiro (2006) *

Clearly written, rich with well-researched, historical details, and contemporary critical insights, Betsy A. McLane's A New History of Documentary Film, 3rd ed., informs and analyzes (primarily) English language, nonfiction film, including recent works by women and non-white documentarians. Enhancing understanding and increasing enjoyment, McLane expands our knowledge, placing works within social and cultural, political and personal contexts, illuminating technical and aesthetic elements alike with well-chosen examples. This book is a joy to read with ample illustrations, text, and film recommendations and a useful index. * Diane Carson, Professor Emerita and Past President, University Film and Video Association, USA *

Clearly written, rich with well-researched, historical details, and contemporary critical insights, Betsy A. McLane’s A New History of Documentary Film, 3rd ed., informs and analyzes (primarily) English language, nonfiction film, including recent works by women and non-white documentarians. Enhancing understanding and increasing enjoyment, McLane expands our knowledge, placing works within social and cultural, political and personal contexts, illuminating technical and aesthetic elements alike with well-chosen examples. This book is a joy to read with ample illustrations, text, and film recommendations and a useful index. * Diane Carson, Professor Emerita and Past President, St. Louis Community College and University Film and Video Association, USA * Documentary film is all around us. Cinema was born non-fictional but the history of film for too long did not devote to documentary the due attention. It was a global shortsightness, not restricted to the anglophile world. Fortunately those days are gone. Building from the groundbreaking work of Erik Barnouw and her own partnership with Jack S. Ellis for the first version of A New History of Documentary Film (2005), Betsy A. McLane regales us with a third, brand new edition, reviewing and updating a book that was already unique and prodigious when last appeared one decade ago. In a single volume here is the evolution of the documentary cinema, introducing the pioneer production of Robert Flaherty and Western European and Soviet documentarists and focusing especially on the USA, UK and Canada experiences, from its first steps to our 21st Century in all its diversity of voices and formats. Elegantly written and full of insights about an ever changing landscape, it is an essential guide for moviegoers, film students, filmmakers and any reader interested in a better understanding of one of the fundamental artistic expressions of an increasingly complex world. * Amir Labaki, Founder and director, É Tudo Verdade/It’s All True International Documentary Film Festival, Brazil, and author of A Verdade de Cada Um - O Documentário na Visão de Seus Principais Realizadores (2015) and Introdução ao Documentário Brasileiro (2006) *

Author Information

Betsy A. McLane, Ph.D. is the author of A New History of Documentary Film. She was Executive Director of the International Documentary Association for 8 years. Dr. McLane was a member of the faculties of Loyola Marymount University, Emerson College, The University of Vermont, and Southern Oregon University, USA. She is a member of the Documentary Branch of The Academy of Motion Picture Arts and Sciences, and was the first woman President of the University Film and Video Association.

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