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OverviewThrough a new look at how political, historical, and art documentaries engage with photographic images, objects, and archives, A Medium Seen Otherwise argues that film allows us to better understand what people do with analog and digital photographs as material objects that enable social and political relations through multisensory experience. Moreover, as a time-based medium with sound, film can bring the event of photography into fuller view, demonstrating how no single participant in it (photographer, subject, camera, photograph, or viewer) has sovereignty over its affect, meaning, or value. The book thus explores the ways in which the innovative incorporation of photography into documentary film permits us to see both of these media otherwise. Photographs, whether professional or vernacular, are conventionally understood to furnish documentaries with indexical evidence and visual illustration of history, yet the spatio-temporal and aural dimensions of film permit documentaries to illuminate photography's wider capacities beyond the merely representational. Combining new critical perspectives on well-known documentary filmmakers and photographers (Agnès Varda, Rithy Panh, Edward Burtynsky, Malick Sidibé, Vivian Maier, JR, Ken Burns, Errol Morris, and Akram Zaatari) with analyses of lesser known, but important, documentaries, author Roger Hallas investigates a global range of documentary and vernacular photographic contexts, including Lebanon, Palestine, Mali, Congo, Cambodia, Ireland, Spain, Mexico, Chile, Canada, and the US. While authorship and representation remain common rhetorical frameworks for documentaries about photography, A Medium Seen Otherwise offers a compelling account of how the intermediality between documentary film and photography can posit far more expansive conceptions of both media. A companion website shows clips of films discussed in the book. Full Product DetailsAuthor: Roger Hallas (Associate Professor of English, Associate Professor of English, Syracuse University)Publisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 23.50cm , Height: 1.70cm , Length: 15.60cm Weight: 0.422kg ISBN: 9780190057770ISBN 10: 0190057777 Pages: 280 Publication Date: 12 September 2023 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: To order Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsAcknowledgments About the Companion Website Introduction 1. Photographic Images in Documentary Film 2. Filming the Photographic Object 3. Filming the Photographer 4. Discoveries and Restitutions of the Photographic Archive 5. Encounters with Photographic Portraits Conclusion Notes Bibliography IndexReviewsAuthor InformationRoger Hallas is Associate Professor of English at Syracuse University, where he teaches Film, Visual Culture, and Queer studies. He is the author of Reframing Bodies: AIDS, Bearing Witness, and the Queer Moving Image (2009), the co-editor of The Image and the Witness: Trauma, Memory, and Visual Culture (2007), and the editor of Documenting the Visual Arts (2020). Tab Content 6Author Website:Countries AvailableAll regions |