A Land So Remote:: Volume 2: Religious Art of New Mexico

Author:   Larry Frank (University of California, San Diego) ,  Michael O'Shaughnessy ,  David Skolkin
Publisher:   Museum of NM Press/Red Crane Books
Volume:   02
ISBN:  

9781878610744


Pages:   280
Publication Date:   01 November 2001
Format:   Hardback
Availability:   In stock   Availability explained
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A Land So Remote:: Volume 2: Religious Art of New Mexico


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Overview

Volume 2 of A Land So Remote elegantly illustrates the development of religious art in northern New Mexico during an active period of over 125 years. To sustain their faith when they came to the New World, the Spanish relied on santos, visual representations of saints, to alleviate their loneliness and enrich their lives. The result is a uniquely American art that embodies the religious spirit and aspirations of New Mexico's Spanish immigrants, whose enduring faith helped them cope with the rigors of a harsh and dangerous frontier life. With roots in Spanish baroque style, the pieces illustrated in this book played an important role in church, community, and family. Many of these rare and beautiful works of art have never been published. With hundreds of color photographs of works from four museums and numerous private collections, A Land So Remote is vital to any art library and as a reference for collectors.

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Author:   Larry Frank (University of California, San Diego) ,  Michael O'Shaughnessy ,  David Skolkin
Publisher:   Museum of NM Press/Red Crane Books
Imprint:   Museum of NM Press/Red Crane Books
Volume:   02
Dimensions:   Width: 24.00cm , Height: 2.60cm , Length: 28.70cm
Weight:   1.687kg
ISBN:  

9781878610744


ISBN 10:   1878610740
Pages:   280
Publication Date:   01 November 2001
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In stock   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

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Larry Frank studied medieval art in Paris. Upon returning to the United States, he found that the counterpart that continued the tradition for him was the linear and stylized design of santos. He was a collector of santos for thirty-five years and was considered a leading authority on the subject.

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