Free Delivery Over $100
|
|
|||
|
||||
OverviewThis new edition of A Hitchcock Reader aims to preserve what has been so satisfying and successful in the first edition: a comprehensive anthology that may be used as a critical text in introductory or advanced film courses, while also satisfying Hitchcock scholars by representing the rich variety of critical responses to the director's films over the years. a total of 20 of Hitchcock's films are discussed in depth - many others are considered in passing section introductions by the editors that contextualize the essays and the films they discuss well-researched bibliographic references, which will allow readers to broaden the scope of their study of Alfred Hitchcock Full Product DetailsAuthor: Marshall Deutelbaum , Leland PoaguePublisher: John Wiley and Sons Ltd Imprint: Wiley-Blackwell Edition: 2nd edition Dimensions: Width: 17.90cm , Height: 2.80cm , Length: 25.40cm Weight: 0.889kg ISBN: 9781405155564ISBN 10: 1405155566 Pages: 424 Publication Date: 06 February 2009 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Out of stock  The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsPreface to the Second Edition viii Preface to the First Edition xi A Brief Chronology xiii Notes on Contributors xv Acknowledgments xx Introduction xxiii Part one: Taking Hitchcock Seriously 1 1. Hitch and His Public 17 Jean Douchet 2. Hitchcock’s Imagery and Art 25 Maurice Yacowar 3. Retrospective 35 Robin Wood 4. Hitch as Matrix-Figure: Hitchcock and Twentieth-Century Cinema 47 John Orr Part two: Hitchcock in Britain 69 5. Hitchcock’s The Lodger 75 Lesley W. Brill 6. Criticism and/as History: Rereading Blackmail 85 Leland Poague 7. Alfred Hitchcock’s Murder!: Theater, Authorship, and the Presence of the Camera 96 William Rothman 8. Consolidation of a Classical Style: The Man Who Knew Too Much 107 Elisabeth Weis 9. Through a Woman’s Eyes: Sexuality and Memory in The 39 Steps 114 Charles l. P. Silet 10. Rematerializing the Vanishing “Lady”: Feminism, Hitchcock, and Interpretation 126 Patrice Petro Part three: Hitchcock in Hollywood 137 11. All in the Family: Alfred Hitchcock’s Shadow of a Doubt 145 James McLaughlin 12. The Moral Universe of Hitchcock’s Spellbound 156 Thomas Hyde 13. Notorious: Perversion par Excellence 164 Richard Abel 14. Strangers on a Train 172 Robin Wood Part four: The Later Films 183 15. Hitchcock’s Rear Window: Reflexivity and the Critique of Voyeurism 199 Robert Stam and Roberta Pearson 16. Finding the Right Man in The Wrong Man 212 Marshall Deutelbaum 17. Male Desire, Male Anxiety: The Essential Hitchcock 223 Robin Wood 18. A Closer Look at Scopophilia: Mulvey, Hitchcock, and Vertigo 234 Marian E. Keane 19. North by Northwest 250 Stanley Cavell 20. “Oh, I See.…”: The Birds and the Culmination of Hitchcock’s Hyper-Romantic Vision 264 John P. Mccombe 21. Mark’s Marnie 280 Michele Piso 22. The Queer Voice in Marnie 295 Lucretia Knapp 23. Rituals of Defilement: Frenzy 312 Tania Modleski Part five: Hitchcock and Film Theory: A Psycho Dossier 327 24. Psychosis, Neurosis, Perversion 341 Raymond Bellour 25. Psycho’s Allegory of Seeing 361 Christopher D. Morris 26. On Being Norman: Performance and Inner Life in Hitchcock’s Psycho 368 Deborah Thomas Index 377ReviewsThe rewritten introductions to each section update scholarship on Hitchcock, engaging the reader in current debates among Hitchcock scholars and fans. (CHOICE, 2009) The detail is extraordinary and the insights remarkable and the director? He would have been flattered, but still retorted Oh it's only a movie! (M/C Reviews, May 2009) The detail is extraordinary and the insights remarkable and the director? He would have been flattered, but still retorted Oh it's only a movie! (M/C Reviews, May 2009) The rewritten introductions to each section update scholarship on Hitchcock, engaging the reader in current debates among Hitchcock scholars and fans. ( CHOICE , 2009) The detail is extraordinary and the insights remarkable and the director? He would have been flattered, but still retorted Oh it's only a movie! ( M/C Reviews , May 2009) The rewritten introductions to each section update scholarship on Hitchcock, engaging the reader in current debates among Hitchcock scholars and fans. (CHOICE, 2009) The detail is extraordinary and the insights remarkable and the director? He would have been flattered, but still retorted Oh it's only a movie! (M/C Reviews, May 2009) Author InformationMarshall Deutelbaum is Professor Emeritus of English at Purdue University, where he teaches courses in film history and theory. Leland Poague is Professor of English at Iowa State University. Tab Content 6Author Website:Countries AvailableAll regions |
||||
