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OverviewThis timely book provides new insights into debates around the relationship between women and film by drawing on the work of philosopher Luce Irigaray. Arguing that female-directed cinema provides new ways to explore ideas of representation and spectatorship, it also examines the importance of contexts of production, direction and reception. Full Product DetailsAuthor: Caroline BainbridgePublisher: Palgrave Macmillan Imprint: Palgrave Macmillan Edition: 1st ed. 2008 Weight: 0.306kg ISBN: 9781349363216ISBN 10: 1349363219 Pages: 223 Publication Date: 01 January 2008 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsReviewsHighly Commended in Feminist and Women's Studies Association Book Prize, 2009 'This is a scholarly and important book in feminist film theory and women's cinema. It is eloquent and well written and successfully introduces the ideas of Luce Irigaray to the non-specialist reader. It should be on the reading list for all film studies courses.' - Judges' comments, FWSA Book Prize Highly Commended in Feminist and Women's Studies Association Book Prize, 2009 'This is a scholarly and important book in feminist film theory and women's cinema. It is eloquent and well written and successfully introduces the ideas of Luce Irigaray to the non-specialist reader. It should be on the reading list for all film studies courses.' - Judges' comments, FWSA Book Prize Author InformationCAROLINE BAINBRIDGE is Reader in Visual Culture at Roehampton University, UK. She is the author of The Cinema of Lars von Trier: Authenticity and Artifice (2007) and co-editor of Culture and the Unconscious (2007). She has also published articles in journals such as Screen, Paragraph and Psychoanalysis, Culture and Society. Tab Content 6Author Website:Countries AvailableAll regions |
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