Overview

A Companion to Michael Haneke With a new preface addressing the Academy award-winning film, Amour, this new-in-paper edition has established itself as the definitive collection on Michael Haneke—from his early work in television and theater, through his prodigious cinematic output, to his 2009 triumph at Cannes. A Companion to Michael Haneke brings together essays by leading film scholars, as well as interviews with the director himself, to probe the provocative and controversial themes that have formed the nucleus of Haneke’s work—intergenerational dysfunction and social alienation, colonialism and citizenship, surveillance and pornography, mass culture and media violence. The volume also offers a critical examination of the auteur’s oeuvre, including Three Paths to the Lake, Lemmings, Benny’s Video, The Piano Teacher, Caché, Funny Games, and the 2009 Palme d’Or winner, The White Ribbon.

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9781405188005

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Reviews

This gives some idea of the breadth, creativity, and intelligence that distinguish this fine collection of essays on a filmmaker I still stand by as one of the most artfully audacious of our day. ( Film Quarterly , 1 April 2012)

This makes the arrival of A Companion to Michael Haneke all the more welcome--for supporters like me, who will find ample evidence of Haneke's intelligence and enterprise, and for open-minded skeptics willing to risk a change of heart by perusing the largest body of critical, theoretical, and historical work on Haneke so far assembled in one volume. The book's thirty-two essays have been judiciously chosen and edited by Roy Grundmann, a firstrate scholar of against-the-grain cinema...This gives some idea of the breadth, creativity, and intelligence that distinguish this fine collection of essays on a filmmaker I still stand by as one of the most artfully audacious of our day. ( Film Quarterly , 1 April 2012)

Author Information

Roy Grundmann is Associate Professor of Film Studies, and Film Studies Program Director in the Department of Film and Television, Boston University. He is co-editor of the multi-volume Blackwell History of American Film.

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