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OverviewA Companion to Contemporary Documentary Film presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. Presents a comprehensive collection of essays relating to all aspects of contemporary documentary films Includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field Explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film – the planet, migration, work, sex, virus, religion, war, torture, and surveillance Considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media Full Product DetailsAuthor: Alexandra Juhasz (Pitzer College, USA) , Alisa Lebow (University of Sussex, UK)Publisher: John Wiley and Sons Ltd Imprint: Wiley-Blackwell Dimensions: Width: 17.50cm , Height: 4.60cm , Length: 24.90cm Weight: 1.293kg ISBN: 9780470671641ISBN 10: 0470671645 Pages: 704 Publication Date: 17 February 2015 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Out of stock  The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsReviews?This collection is the very best of companions to have on a journey through contemporary documentary film. Edited by two of the smartest thinkers/practitioners around, and with an equally lively cast of authors, this book is required reading.? Faye Ginsburg, New York University Author InformationAlexandra Juhasz is Professor of Media Studies at Pitzer College. She is the author of AIDS TV (1995), Women of Vision (2001), F is for Phony: Fake Documentary and Truth’s Undoing, co-edited with Jesse Lerner (2005), and Learning from YouTube (2011). Dr. Juhasz is also the producer of the fake documentary feature films The Watermelon Woman (1997) and The Owls (2010), as well as many “real” documentaries. Alisa Lebow is a Reader in Film Studies at the University of Sussex. Her publications include First Person Jewish (2008) and The Cinema of Me (2012) and numerous articles on aspects of documentary ranging from art and documentary to questions of “the political” in documentary. Lebow has also made several documentaries including Outlaw (1994), Treyf (1998), and For the Record: The World Tribunal on Iraq (2006). Tab Content 6Author Website:Countries AvailableAll regions |
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