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OverviewChristianity has had a powerful influence on every sphere of Western art, even art which on the surface might seem antithetical to the faith. This book argues that point with an analysis of the horror film genre, examining nine classics which illustrate the evolution of horror and reveal a culture haunted by fear of the unspeakable. The history and literary roots of the horror genre are also discussed. The author concludes that our innate dread of evil and the imperative of warding it off are the key mechanics of the horror experience. Films covered include Vampyr (1932), The Mummy (1932), The Thing (1951), Night of the Demon (1957), The Wicker Man (1973), The Exorcist (1973), Halloween (1978), Ringu (1998) and Pan's Labyrinth (2006). Full Product DetailsAuthor: Peter FraserPublisher: McFarland & Co Inc Imprint: McFarland & Co Inc Dimensions: Width: 15.20cm , Height: 1.10cm , Length: 22.90cm Weight: 0.299kg ISBN: 9780786498246ISBN 10: 0786498242 Pages: 216 Publication Date: 29 April 2015 Recommended Age: From 18 years Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: In stock  We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsTable of Contents Introduction 1. What Lies Beneath the Horror Genre 2. Monster and Man: Guillermo del Toro’s Pan’s Labyrinth 3. Modern Paralysis and Ancient Faith: Carl Dreyer’s Vampyr 4. Carnival Pleasures: Karl Freund’s The Mummy 5. Lawless Men and Beasts: Jacques Tourneur’s Night of the Demon 6. Kill Thine Enemy: Howard Hawks’ The Thing 7. The Return of Molech: Robin Hardy’s The Wicker Man 8. The Corruption of the Virgin: William Peter Blatty’s The Exorcist 9. No Pleasure but Cruelty: John Carpenter’s Halloween 10. Lord of the World: Hideo Nakata’s Ringu Conclusion Chapter Notes Bibliography IndexReviews"""a well-written, accessible work...it fills a void as one of the first books of its type""--Journal of American Culture." a well-written, accessible work...it fills a void as one of the first books of its type --Journal of American Culture. “a well-written, accessible work...it fills a void as one of the first books of its type”—Journal of American Culture. Author InformationPeter Fraser is a professor of English and Director of the School of Communication and the Arts at Regent University. This is his third book on the intersection of Christianity and film. He lives in Norfolk, Virginia. Tab Content 6Author Website:Countries AvailableAll regions |
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