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The book enhances in a number of ways our knowledge of Boccaccio's legacy in the Renaissance, particularly in the area of the history of the book, but also Boccaccio's significance as a political thinker, his obsession with the pastoral, his role in the birth of Renaissance comedy, and new aspects of his influence in France, Spain, and England. The scholarship is very sound, as most contributors are acknowledged leaders in their fields. --Martin McLaughlin, University of Oxford This is a collection of strong essays by leading experts in the field that break new ground in our understanding of the diverse reworkings of Boccaccio's works in the Renaissance and beyond, both in Italy and in Europe. These contributions are independently rigorous and original works. The book will be useful to readers in a variety of fields in studies of medieval and Renaissance Italian and European traditions and beyond. I agree wholeheartedly with the editors that the chapters 'leave signs of how much work still needs to be done and from what perspective that work must begin.' --Kristina M. Olson, George Mason University

This is a collection of strong essays by leading experts in the field that break new ground in our understanding of the diverse reworkings of Boccaccio's works in the Renaissance and beyond, both in Italy and in Europe. These contributions are independently rigorous and original works. The book will be useful to readers in a variety of fields in studies of medieval and Renaissance Italian and European traditions and beyond. I agree wholeheartedly with the editors that the chapters 'leave signs of how much work still needs to be done and from what perspective that work must begin.' --Kristina M. Olson, George Mason University The book enhances in a number of ways our knowledge of Boccaccio's legacy in the Renaissance, particularly in the area of the history of the book, but also Boccaccio's significance as a political thinker, his obsession with the pastoral, his role in the birth of Renaissance comedy, and new aspects of his influence in France, Spain, and England. The scholarship is very sound, as most contributors are acknowledged leaders in their fields. --Martin McLaughlin, University of Oxford In this accessible and engaging translation, Graney makes a strong case for the value of studying the anti-Copernicans. . .The recovery of Locher's treatise demonstrates that 'Science's history matters' because it shows that true and honest debates within the scientific community have been part of the practice of modern science since its inception. --Seventeenth-Century News

Giovanni Boccaccio's presence as it radiates through time and space is captured and distilled in this elegantly-conceived volume. Martin Eisner and David Lummus have gathered and framed twelve distinguished essays on the 'Renaissance Boccaccio'; together they offer a compelling reexamination of the impact of this most generous of Italy's tre corone. --Teodolinda Barolini, Lorenzo Da Ponte Professor of Italian, Columbia University The book enhances in a number of ways our knowledge of Boccaccio's legacy in the Renaissance, particularly in the area of the history of the book, but also Boccaccio's significance as a political thinker, his obsession with the pastoral, his role in the birth of Renaissance comedy, and new aspects of his influence in France, Spain, and England. The scholarship is very sound, as most contributors are acknowledged leaders in their fields. --Martin McLaughlin, University of Oxford This is a collection of strong essays by leading experts in the field that break new ground in our understanding of the diverse reworkings of Boccaccio's works in the Renaissance and beyond, both in Italy and in Europe. These contributions are independently rigorous and original works. The book will be useful to readers in a variety of fields in studies of medieval and Renaissance Italian and European traditions and beyond. I agree wholeheartedly with the editors that the chapters 'leave signs of how much work still needs to be done and from what perspective that work must begin.' --Kristina M. Olson, George Mason University

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Martin Eisner is associate professor of Italian studies at Duke University. He is the author of Boccaccio and the Invention of Italian Literature: Dante, Petrarch, Cavalcanti, and the Authority of the Vernacular.

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