118 Theories of Design[ing]

Author:   Paul A Rodgers ,  Craig Bremner
Publisher:   Vernon Press
ISBN:  

9781648892424


Pages:   306
Publication Date:   17 May 2021
Format:   Paperback
Availability:   In stock   Availability explained
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118 Theories of Design[ing]


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Author:   Paul A Rodgers ,  Craig Bremner
Publisher:   Vernon Press
Imprint:   Vernon Press
Dimensions:   Width: 15.20cm , Height: 1.60cm , Length: 22.90cm
Weight:   0.413kg
ISBN:  

9781648892424


ISBN 10:   1648892426
Pages:   306
Publication Date:   17 May 2021
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In stock   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

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"Paul Rodgers is Professor of Design at the University of Strathclyde. He is also the Arts and Humanities Research Council (UK) Design Leadership Fellow (2017 - 2020). He has undergraduate and postgraduate degrees in design from Middlesex University, London and a PhD in product design assessment from the University of Westminster, London. He has published extensively in all of the major design journals and design conferences. He is the author of 9 books including The Routledge Companion to Design Research (Routledge, Oxon, 2015). Professor Rodgers is an Editorial Board Member of the Design Studies journal and an Editorial Board Member of the International Journal of Design Creativity and Innovation. He is a founding member of the Design Disruption Group who strive for positive change in health and social care and elsewhere. Craig Bremner is Professor of Design at Charles Sturt University. For some time he was also Professor of Design at the University of Southern Denmark. Prior to this joint position he was Professor in Design Pedagogy at Northumbria University UK, and Professor of Design at the University of Canberra, where he was also Dean of the Faculty of Design & Architecture. His research deals with developing methods to discover how and why we don't know much about the idea of design, as well as finding ways to clarify the reason why ""not-knowing"" is an essential and valuable beginning point of practice."

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