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9781636701448

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"""This book is a kind of miracle, a thrilling compendium of plays that speak to the enormous environmental crisis of our time. Freestone and O'Hare have exquisite taste and brilliant analysis, illuminating plays I've never heard of, as well as plays I thought I knew. 100 Plays to Save the World should be required reading for everyone who believes in the power of theatre to move the world; I will certainly never plan a season again without referring to it."" --Oskar Eustis, Artistic Director, The Public Theater ""This book is dynamite. Through lively play analysis and accessible environmental know-how, it will galvanise theatre-makers to step up and artists to be heard. Theatre must play its part in the climate fight and this book shows us how."" --Kwame Kwei-Armah, Artistic Director, Young Vic Theatre ""An invaluable guide that deals with the environmental crisis head-on."" --Broadway World ""An unexpected pleasure... The writing is always cogent but urgent... The list of playwrights is both dazzling and diverse... In addition to finding introductions to unknown plays and reminders of some classics, readers will also learn a great deal about the climate crisis, often viewed from unexpected perspectives... a chilling read that is nevertheless both worthy and worthwhile. It is one of those books that should be put on the desks of government ministers around the world."" --British Theatre Guide ""A fascinating, brutally honest collection of essays demonstrating the power theatre has to predict, dissect and shout about the climate emergency... this book could easily be dry, but it is anything but. It is an engaging and stimulating delve into the breadth of incredible playwriting out there that can contribute to the fight of activists around the world."" --Everything Theatre"

This book is a kind of miracle, a thrilling compendium of plays that speak to the enormous environmental crisis of our time. Freestone and O'Hare have exquisite taste and brilliant analysis, illuminating plays I've never heard of, as well as plays I thought I knew. 100 Plays to Save the World should be required reading for everyone who believes in the power of theatre to move the world; I will certainly never plan a season again without referring to it. --Oskar Eustis, Artistic Director, The Public Theater This book is dynamite. Through lively play analysis and accessible environmental know-how, it will galvanise theatre-makers to step up and artists to be heard. Theatre must play its part in the climate fight and this book shows us how. --Kwame Kwei-Armah, Artistic Director, Young Vic Theatre An invaluable guide that deals with the environmental crisis head-on. --Broadway World An unexpected pleasure... The writing is always cogent but urgent... The list of playwrights is both dazzling and diverse... In addition to finding introductions to unknown plays and reminders of some classics, readers will also learn a great deal about the climate crisis, often viewed from unexpected perspectives... a chilling read that is nevertheless both worthy and worthwhile. It is one of those books that should be put on the desks of government ministers around the world. --British Theatre Guide A fascinating, brutally honest collection of essays demonstrating the power theatre has to predict, dissect and shout about the climate emergency... this book could easily be dry, but it is anything but. It is an engaging and stimulating delve into the breadth of incredible playwriting out there that can contribute to the fight of activists around the world. --Everything Theatre

Author Information

Elizabeth Freestone is a theatre director, creative consultant, and environmentalist. She has directed plays for Royal Shakespeare Company, Manchester Royal Exchange, Citizens Theatre Glasgow, Young Vic, and Shakespeare at the Tobacco Factory. Jeanie O'Hare is a short-story writer, playwright, and project consultant for theatre and film. She has worked for Royal Court Theatre, Royal Shakespeare Company, Druid Theatre, and was Chair of Playwriting at Yale School of Drama. She was also the Director of New Work Development at The Public Theater in New York.

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