Topsy-Turvy

Author:   Charles Bernstein
Publisher:   The University of Chicago Press
ISBN:  

9780226783604


Pages:   176
Publication Date:   30 April 2021
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Topsy-Turvy


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Overview

In his most expansive and unruly collection to date, the acclaimed poet Charles Bernstein gathers poems, both tiny and grand, that speak to a world turned upside down. Our time of “covidity,” as Bernstein calls it in one of the book’s most poignantly disarming works, is characterized in equal measure by the turbulence of both the body politic and the individual. Likewise, in Topsy-Turvy, novel and traditional forms jostle against one another: horoscopes, shanties, and elegies rub up against gags, pastorals, and feints; translations, songs, screenplays, and slapstick tangle deftly with commentaries, conundrums, psalms, and prayers. Though Bernstein’s poems play with form, they incorporate a melancholy, even tragic, sensibility. This “cognitive dissidence,” as Bernstein calls it, is reflected in a lyrically explosive mix of pathos, comedy, and wit, though the reader is kept guessing which is which at almost every turn. Topsy-Turvy includes an ode to the New York City subway and a memorial for Harpers Ferry hero Shields Green, along with collaborations with artists Amy Sillman and Richard Tuttle. This collection is also full of other voices: Pessoa, Geeshie Wiley, Friedrich Rückert, and Rimbaud; Carlos Drummond, Virgil, and Brian Ferneyhough; and even Caudio Amberian, an imaginary first-century aphorist. Bernstein didn’t set out to write a book about the pandemic, but these poems, performances, and translations are oddly prescient, marking a path through dark times with a politically engaged form of aesthetic resistance: We must “Continue / on, as / before, as / after.” The audio version of Topsy-Turvy is performed by the author.

Full Product Details

Author:   Charles Bernstein
Publisher:   The University of Chicago Press
Imprint:   University of Chicago Press
ISBN:  

9780226783604


ISBN 10:   022678360
Pages:   176
Publication Date:   30 April 2021
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Reviews

As poet, editor, critic, translator, and educator, Bernstein's decades-long commitment to the community of arts and letters reflects a profound understanding of the importance of language in the business of culture-making. Throughout his career Bernstein has facilitated a vibrant dialogue between lyric and anti-lyric tendencies in the poetic traditions we have inherited; in so doing, he has shaped and questioned, defined and dismantled ideas and assumptions in order to reveal poetry's widest and most profound capabilities. -- Ange Mlinko, Claudia Rankine, and Evie Shockley, Bollingen Prize Award Committee


As poet, editor, critic, translator, and educator, Bernstein's decades-long commitment to the community of arts and letters reflects a profound understanding of the importance of language in the business of culture-making. Throughout his career Bernstein has facilitated a vibrant dialogue between lyric and anti-lyric tendencies in the poetic traditions we have inherited; in so doing, he has shaped and questioned, defined and dismantled ideas and assumptions in order to reveal poetry's widest and most profound capabilities. -- Ange Mlinko, Claudia Rankine, and Evie Shockley, Bollingen Prize Committee


Author Information

Charles Bernstein is the Donald T. Regan Professor Emeritus of English and Comparative Literature at the University of Pennsylvania, where he is codirector of PennSound, and a fellow of the American Academy of Arts and Sciences. He is the author of Pitch of Poetry, Recalculating, and Near/Miss, also published by the University of Chicago Press. In 2019, he was awarded the Bollingen Prize for Poetry from Yale University, the highest American honor for lifetime achievement in poetry

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