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9781848420007

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Steve Waters' book is like his plays: clear, elegant and stimulating throughout -- David Edgar Essential for aspiring playwrights -- Whatsonstage.com Thrilling... crammed with good, old-fashioned close reading of a diverse range of plays, which means that although Waters does primarily address those who write for the theatre, he does not forget those who like watching and reading it -- TLS Waters analyses what makes plays work on stage, discussing - brilliantly - Hamlet and Woyzeck as examples of structure and characterisation, thereby opening new understandings of drama for everyone --Christopher Innes, THES

Steve Waters' book is like his plays: clear, elegant and stimulating throughout -- David Edgar Essential for aspiring playwrights -- Whatsonstage.com Thrilling... crammed with good, old-fashioned close reading of a diverse range of plays, which means that although Waters does primarily address those who write for the theatre, he does not forget those who like watching and reading it -- TLS Waters analyses what makes plays work on stage, discussing - brilliantly - Hamlet and Woyzeck as examples of structure and characterisation, thereby opening new understandings of drama for everyone --Christopher Innes, THES

Steve Waters' book is like his plays: clear, elegant and stimulating throughout -- David Edgar<br><br> Essential for aspiring playwrights -- Whatsonstage.com <br><br> Thrilling... crammed with good, old-fashioned close reading of a diverse range of plays, which means that although Waters does primarily address those who write for the theatre, he does not forget those who like watching and reading it -- TLS <br><br> Waters analyses what makes plays work on stage, discussing - brilliantly - Hamlet and Woyzeck as examples of structure and characterisation, thereby opening new understandings of drama for everyone --<br>Christopher Innes, THES <br>

Steve Waters' book is like his plays: clear, elegant and stimulating throughout -- David Edgar Essential for aspiring playwrights --Whatsonstage.com Thrilling... crammed with good, old-fashioned close reading of a diverse range of plays, which means that although Waters does primarily address those who write for the theatre, he does not forget those who like watching and reading it --TLS Waters analyses what makes plays work on stage, discussing - brilliantly - Hamlet and Woyzeck as examples of structure and characterisation, thereby opening new understandings of drama for everyone -- Christopher Innes, THES

-Steve Waters' book is like his plays: clear, elegant and stimulating throughout--- David Edgar -Essential for aspiring playwrights---Whatsonstage.com -Thrilling... crammed with good, old-fashioned close reading of a diverse range of plays, which means that although Waters does primarily address those who write for the theatre, he does not forget those who like watching and reading it---TLS -Waters analyses what makes plays work on stage, discussing - brilliantly - Hamlet and Woyzeck as examples of structure and characterisation, thereby opening new understandings of drama for everyone---Christopher Innes, THES

Author Information

Steve Waters is a playwright whose plays include: The Last King of Scotland, adapted from the novel by Giles Foden (Sheffield Theatres, 2019); Limehouse (Donmar Warehouse, 2017); Temple (Donmar Warehouse, 2015); Why Can't We Live Together? (Menagerie Theatre/Soho/Theatre503, 2013); Europa, as co-author (Birmingham Repertory Theatre/Dresden State Theatre/Teatr Polski Bydgoszcz/Zagreb Youth Theatre, 2013); Ignorance/Jahiliyyah (Hampstead Downstairs, 2012); Little Platoons (Bush Theatre, 2011); The Contingency Plan (Bush Theatre, 2009; revived in a new version at Sheffield Theatres, 2022); Fast Labour (Hampstead, in association with West Yorkshire Playhouse, 2008); Out of Your Knowledge (Menagerie Theatre/ Pleasance, Edinburgh/East Anglian tour, 2006-8); World Music (Sheffield Crucible, 2003, and subsequent transfer to the Donmar Warehouse, 2004); The Unthinkable (Sheffield Crucible, 2004); After the Gods (Hampstead Theatre, 2002); and English Journeys (Hampstead Theatre, 1998). His writing for television and radio includes Safe House (BBC4), The Air Gap, The Moderniser (BBC Radio 4), Scribblers and Bretton Woods (BBC Radio 3). He ran the MPhil in Playwriting at Birmingham University between 2006 and 2011, and is now Professor of Scriptwriting at the University of East Anglia, where he convenes the MA in Creative Writing: Scriptwriting programme. He is the author of The Secret Life of Plays, published by Nick Hern Books.

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