Overview

Following the defeat of France in the Franco-Prussian War of 1870-71, the German Army began to construct a fortress line from Strasbourg to Luxembourg to protect their new territory, the centrepiece of which was the great Moselstellung (Moselle Position) of Metz / Thionville. Illustrated with rare photographs and full-colour cutaway artwork, this book examines the design and development of the fortress and analyses its use in combat, focusing particularly on the part it played in holding up General Patton's Third Army's advance across France in 1944.

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9781846037771

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Reviews

This book is a most welcome addition to the Fortress series... I found the subject, and the book, fascinating, and highly recommend the book. -Bolling Smith, Coast Defense Journal (November 2008). .. an excellent concise reference covering the German fortsof Metz... This will be one of the books in the series you will certainly want to include in your collection. -J.E. Kauffman (October 2008). .. As in all books in the series, the condition of extant works and one's ability to currently access them is provided. All of this is additionally enhanced by period photos, images of the extant sites and the superb art work of Brian Delf. The book will be especially useful to the modeler who likes to do dioramas as there are a nearly unlimited number of possibilities shown in these pages. -Scott Van Aken, modelingmadness.com (October 2008)

.,. As in all books in the series, the condition of extant works and one's ability to currently access them is provided. All of this is additionally enhanced by period photos, images of the extant sites and the superb art work of Brian Delf. The book will be especially useful to the modeler who likes to do dioramas as there are a nearly unlimited number of possibilities shown in these pages. -Scott Van Aken, modelingmadness.com (October 2008) .,. an excellent concise reference covering the German forts of Metz... This will be one of the books in the series you will certainly want to include in your collection. -J.E. Kauffman (October 2008) .,. As in all books in the series, the condition of extant works and one's ability to currently access them is provided. All of this is additionally enhanced by period photos, images of the extant sites and the superb art work of Brian Delf. The book will be especially useful to the modeler who likes to do dioramas as there are a nearly unlimited number of possibilities shown in these pages. -Scott Van Aken, modelingmadness.com (October 2008) This book is a most welcome addition to the Fortress series... I found the subject, and the book, fascinating, and highly recommend the book. -Bolling Smith, Coast Defense Journal (November 2008) . .. an excellent concise reference covering the German forts of Metz... This will be one of the books in the series you will certainly want to include in your collection. -J.E. Kauffman (October 2008) . .. As in all books in the series, the condition of extant works and one's ability to currently access them is provided. All of this is additionally enhanced by period photos, images of the extant sites and the superb art work of Brian Delf. The book will be especially useful to the modeler who likes to do dioramas as there are a nearly unlimited number of possibilities shown in these pages. -Scott Van Aken, modelingmadness.com (October 2008)

Author Information

Clayton Donnell has had a life-long fascination with the Brialmont forts built at Liege and Namur. He spent his early years living in Belgium, and often visited the sites of the forts. Over the years he has amassed a large collection of material relating to this period, and has translated much of it from French to English. He has previously written Fortress 60: The Forts of the Meuse in World War I (Osprey, 2006) co-written Modern European Military Fortifications, 1870-1950: A Selected Annotated Bibliography (Praeger, 2004), and has created websites on the forts of Liege and Namur, and the Maginot Line. Brian Delf began his career working in a London art studio producing artwork for advertising and commercial publications. Since 1972, he has worked as a freelance illustrator on a variety of subjects including natural history, architecture and technical cutaways. His illustrations have been published in over thirty countries. Brian lives and works in Oxfordshire.

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