Overview

This book is a phenomenological approach to film sound and film as a whole, bringing all sensory impressions together within the body as a sense of movement. This includes embodied listening, felt sound and the audiovisual chord as a dynamic knot of visual and auditory movements. From this perspective, auditory spaces in film can be used as a pivot between an inner and an external world.

Full Product Details

Author:   Martine Huvenne
Publisher:   Springer Verlag, Singapore
Imprint:   Palgrave Macmillan
Edition:   1st ed. 2022
Weight:   0.565kg
ISBN:  

9789811948060

ISBN 10:   9811948062
Pages:   317
Publication Date:   14 December 2022
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand  
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Table of Contents

Introduction.- Part I.- “The wind blows wherever it pleases. You hear its sound, but you cannot tell where it comes from or where it is going.”.- Audiovisual perception: the audiovisual contract, heautonomy of sound and image and filmic listening.- Phenomenology, an introductionv.- Part II.- A phenomenological approach to audiovisual experience in practice.- Thinking in movement, and different ways to create space in film sound.- The audiovisual chord, an invitation to the audience to interact.- Part III.- Embodied listening, felt sound and the audiovisual chord in film history.- The audiovisual chord in relation to film as an audiovisual composition.- The importance of embodied (panic) listening in film as an audiovisual composition.- A phenomenological approach to film sound and film at the basis of film-making.- Conclusion.

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Author Information

Dr. Martine Huvenne retired after a career teaching and researching in the audio-visual field. She was a senior lecturer in Sound and Music for Film at the Kask & Conservatorium (Hogent-Howest), Belgium, where she developed a phenomenological approach to music and listening.

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