Overview

Drawing on cinema and media studies, art history, American studies, and postcolonial studies, this innovative book offers a fresh way of thinking about Hollywood film aesthetics. It explores how eighteenth- and nineteenth-century Western colonial formations of vision influenced classical Hollywood film style, and thus provides a new and unique perspective on the origins of the cinematic gaze. Classical Hollywood cinema constructs global spaces as an imaginative dreamworld, subsuming geographical and cultural differences into utopian fantasy. Yet, this characteristically Hollywoodian aesthetic has rarely been explored in detail. How are such representations constructed within film texts? Is this utopian aesthetic really as uniform and transparent as it appears? What is its relationship to the United States’ status as an imperial power? In The American Abroad, Anna Cooper explores how postwar Hollywood cinema adopted elements of British and French imperial visual culture, transforming them to suit a new United Statesian context. Cooper argues that four visual discourses in particular—the sublime, the ethnographic, the picturesque, and glamour—became building blocks in the development of a new American visual language.

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9781501314476

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In this eloquent and erudite exploration of an imperial Hollywood that framed and edited images of Europe for domestic consumption, Anna Cooper forensically shows the reader how to follow an untrustworthy tour guide. * Peter Stanfield, Emeritus Professor of Film, University of Kent, UK *

In this eloquent and erudite exploration of an imperial Hollywood that framed and edited images of Europe for domestic consumption, Anna Cooper forensically shows the reader how to follow an untrustworthy tour guide. * Peter Stanfield, Emeritus Professor of Film, University of Kent, UK * The American Abroad offers a detailed and complex view of American imperialism using the institution of Hollywood cinema for fostering cultural dominance over Europe. Anna Cooper foregrounds the figure of the tourist to unravel in nuanced detail just how Hollywood's utopian aesthetics outrageously depicts Europe as its Orientalist Other on screen. With rich textual analyses of a specific corpus of Post-War films set in Europe, The American Abroad forms an important contribution to the renewed interest in Transatlantic cinematic encounters. * Jeroen Gerrits, Associate Professor in Comparative Literature, Binghamton University (SUNY), USA and author of Cinematic Skepticism: Across Digital and Global Turns *

Author Information

Anna Cooper is Associate Professor in the School of Theatre, Film, and Television, University of Arizona, USA. She completed her PhD at the University of Warwick and has worked at the universities of Hertfordshire, Sussex, and California (Santa Cruz). She co-edited Projecting the World: Representing the “Foreign” in Classical Hollywood (2017).

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