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OverviewFull Product DetailsAuthor: Antoine Hennion (MINES-ParisTech, France) , Christophe Levaux (Universite de Liege, Belgium)Publisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.500kg ISBN: 9780367200541ISBN 10: 0367200546 Pages: 288 Publication Date: 04 May 2021 Audience: College/higher education , Tertiary & Higher Education Format: Hardback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsForeword Howard S. Becker Introduction Antoine Hennion and Christophe Levaux I. Histories1. Rameau and Harmony: Can Theory Make Reason of Music? Antoine Hennion 2. Sounding Standards: A History Concert Pitch, between Musicology and STS Fanny Gribenski 3. Is DIY a Punk Invention?: Learning processes, Recording Devices, and Social Knowledge François Ribac 4. Secure and Insecure Bases in the Performance of Western Classical Music Daniel Leech-Wilkinson 5. Deep Structure: The Generative Subject in Actor-Network Theory and Musicology Patrick Valiquet II. Instruments 6. Sonic Imaginaries: How Hugh Davies and David Van Koevering Performed Electronic Music’s Future James Mooney and Trevor Pinch7. Following the Instruments: The Designers and Users of the Fairlight CMI Paul Harkins 8. The Interface and Instrumentality of Eurorack Modular Synthesis Eliot BatesIII. Technologies 9. Human Sounds and the Obscenity of Information David Trippett10. STS Confronts the Vocaloid: Assemblage Thinking with Hatsune Miku Nick Prior 11. Similarity and Difference in Sound Studies (and elsewhere) Basile Zimmermann IV. Practices 12. Smartphones, Streaming Platforms, and the Infrastructuring of Digital Music Practices Paolo Magaudda 13. Tracing the Music Actor-Network: Losing the Meaning of Musical Experience? The Limits of a Routinization of Science and Technology Studies Applied to Techniques and Knowledges of Music François Debruyne 14. Musicalized Images: Composing, Playing, Remixing, and Performing Net Art Jean-Paul FourmentrauxReviewsAuthor InformationAntoine Hennion is Professor at Mines ParisTech, and the former Director of the Centre for the Sociology of Innovation. He has written extensively on the sociology of music, media, and cultural industries. Christophe Levaux is a lecturer and postdoctoral researcher at the University of Liège, Belgium. His research focuses on approaches to 20th-century American music and Actor-Network Theory. Tab Content 6Author Website:Countries AvailableAll regions |
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