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OverviewThis book investigates the relationship between the fascinating and misunderstood penny blood, early Victorian popular fiction for the working class, and Victorian anatomy. In 1832, the controversial Anatomy Act sanctioned the use of the body of the pauper for teaching dissection to medical students, deeply affecting the Victorian poor. The ensuing decade, such famous penny bloods as Manuscripts from the Diary of a Physician, Varney the Vampyre, Sweeney Todd, and The Mysteries of London addressed issues of medical ethics, social power, and bodily agency. Challenging traditional views of penny bloods as a lowlier, un-readable genre, this book rereads these four narratives in the light of the 1832 Anatomy Act, putting them in dialogue with different popular artistic forms and literary genres, as well as with the spaces of death and dissection in Victorian London, exploring their role as channels for circulating discourses about anatomy and ethics among the Victorian poor. Full Product DetailsAuthor: Anna GasperiniPublisher: Springer Nature Switzerland AG Imprint: Springer Nature Switzerland AG Edition: 1st ed. 2019 Weight: 0.488kg ISBN: 9783030109158ISBN 10: 3030109151 Pages: 253 Publication Date: 04 February 2019 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of Contents1. Preface: Dissecting a Literary Monster.- 2. Penny Bloods, The Anatomy Act, and a Common Ground for Analysis.- 3. Manuscripts from the Diary of a Physician: Power, Ethics, and the Super-Doctor.- 4. Coping with the Displaced Corpse: Medicine, Truth, and Masculinity in Varney the Vampyre.- 5. Underground Truths: Sweeney Todd, Cannibalism, and Discourse Control.- 6. The Unknown Labyrinth: Radicalism, The Body, and the Anatomy Act in The Mysteries of London.- 7. Dissection Report: Patterns of Medicine and Ethics.Reviews“In addition to being a fascinating read, it is an extremely welcome stepping-stone in the scholarly analysis of penny bloods by contributing to a better understanding of their place in early-Victorian culture and their legitimisation as a key literary phenomenon within a historical, social and artistic context.” (Manon Labrande, The Wilkie Collins Journal, wilkiecollinssociety.org, Vol. 19, 2021) “Gasperini frames elaborate connections between the depiction of medical men, graveyard and subterranean geospaces, and the 1832 Anatomy Act in her penny blood ‘specimens’ to demonstrate that ‘the massive body of the penny blood genre can be analysed, with the correct tools, as a literary phenomenon inscribed within a historical, social, and artistic context much like other genres’ … . Gasperini rightly positions us to recognize the penny blood as an original site of such discourse and a good place from which to start.” (Rae X. Yan, Victorian Studies, Vol. 63 (1), 2020) Gasperini frames elaborate connections between the depiction of medical men, graveyard and subterranean geospaces, and the 1832 Anatomy Act in her penny blood 'specimens' to demonstrate that 'the massive body of the penny blood genre can be analysed, with the correct tools, as a literary phenomenon inscribed within a historical, social, and artistic context much like other genres' ... . Gasperini rightly positions us to recognize the penny blood as an original site of such discourse and a good place from which to start. (Rae X. Yan, Victorian Studies, Vol. 63 (1), 2020) Author InformationAnna Gasperini received her PhD from the National University of Ireland Galway. She specialises in Victorian popular fiction, Victorian medical history, and spatial and discourse theory. She is the current Membership Secretary of the UK-based Victorian Popular Fiction Association (VPFA). Tab Content 6Author Website:Countries AvailableAll regions |
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