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MIRROR ANDREI TARKOVSKY POCKET MOVIE GUIDE By Jeremy Mark Robinson A new study of Russian filmmaker Andrei Tarkovsky (1932-1986) and the 1975 film Mirror. Tarkovsky directed seven feature films, including Mirror, Andrei Roublyov, Solaris and The Sacrifice. Mirror (a.k.a. Zerkalo or The Bright, Bright Day) is Andrei Tarkovsky's beloved project. It remained his favourite film, and closest to his concept of cinema. Mirror is loosely autobiographical, and combines many elements, ranging from poetry read in voiceover by the director's father, to dream sequences, flashbacks, newsreel and memory devices. The movie is a poetic exploration of childhood. Film as personal psychogeography, self-reflexive, even indulgent. This study of Mirror explore aspects of Andrei Tarkovsky's output, including scripts, budget, production, shooting, editing, camera, sound, music, acting, themes, symbols, motifs, and spirituality. Mirror is analyzed in dept. The second half of the book comprises an exploration of the movie scene-by-scene (sometimes shot-by-shot). Andrei Tarkovsky is one of the most fascinating of filmmakers. He is supremely romantic, an old-fashioned, traditional artist - at home in the company Leonardo da Vinci, Pieter Brueghel, Aleksandr Pushkin, Fyodor Dostoievsky and Byzantine icon painters. Tarkovsky is a magician, no question, but argues for demystification (even while films celebrate mystery). His films are full of magical events, dreams, memory sequences, multiple viewpoints, multiple time zones and bizarre occurrences. As genre films, Andrei Tarkovsky's movies are some of the most accomplished in cinema. As science fiction films, Stalker and Solaris have no superiors, and very few peers. Tarkovsky happily and methodically rewrote the rules of the sci-fi genre: Stalker and Solaris are definitely not routine genre outings. They don't have the monsters, the aliens, the visual effects, the battles, the laser guns, the stunts and action set-pieces of regular science fiction movies. Contains illustrations, of Andrei Tarkovsky's films, Tarkovsky at work, his favourite painters, and many images from Mirror. Bibliography, filmographies and notes. Illustrated. 172pp. www.crmoon.com

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9781861713018

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JEREMY ROBINSON has published poetry, fiction, and studies of J.R.R. Tolkien, Samuel Beckett, Thomas Hardy, André Gide and D.H. Lawrence. Robinson has edited poetry books by Novalis, Ursula Le Guin, Friedrich Hölderlin, Francesco Petrarch, Dante Alighieri, Arseny Tarkovsky, and Rainer Maria Rilke. Books on film and animation include: The Akira Book - The Art of Katsuhiro Otomo - The Art of Masamune Shirow - The Ghost In the Shell Book - Fullmetal Alchemist - Cowboy Bebop: The Anime and Movie - The Cinema of Hayao Miyazaki - Hayao Miyazaki: Pocket Guide - Princess Mononoke: Pocket Movie Guide - Spirited Away: Pocket Movie Guide - Blade Runner and the Cinema of Philip K. Dick - Blade Runner: Pocket Movie Guide - The Cinema of Donald Cammell - Performance: Donald Cammell: Nic Roeg: Pocket Movie Guide - Pasolini: Il Cinema di Poesia/ The Cinema of Poetry - Salo: Pocket Movie Guide - The Trilogy of Life Movies: Pocket Movie Guide - The Gospel According To Matthew: Pocket Movie Guide - The Ecstatic Cinema of Tony Ching Siu-tung - Tsui Hark: The Dragon Master of Chinese Cinema - The Swordsman: Pocket Movie Guide - A Chinese Ghost Story: Pocket Movie Guide - Ken Russell: England's Great Visionary Film Director and Music Lover - Tommy: Ken Russell: The Who: Pocket Movie Guide - Women In Love: Ken Russell: D.H. Lawrence: Pocket Movie Guide - The Devils: Ken Russell: Pocket Movie Guide - Walerian Borowczyk: Cinema of Erotic Dreams - The Beast: Pocket Movie Guide - The Lord of the Rings Movies - The Fellowship of the Ring: Pocket Movie Guide - The Two Towers: Pocket Movie Guide - The Return of the King: Pocket Movie Guide - Jean-Luc Godard: The Passion of Cinema - The Sacred Cinema of Andrei Tarkovsky - Andrei Tarkovsky: Pocket Guide.

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