Men on Trial: Performing Emotion, Embodiment and Identity in Ireland, 1800–45

Author:   Katie Barclay
Publisher:   Manchester University Press
ISBN:  

9781526132925


Pages:   280
Publication Date:   29 October 2018
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Men on Trial: Performing Emotion, Embodiment and Identity in Ireland, 1800–45


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Overview

Men on Trial provides the first history of masculinity and the law in early nineteenth-century Ireland. Men on Trial explores how the Irish perform 'the self' within the early nineteenth-century courtroom and its implications for law, society and nation. Drawing on new methodologies from the history of emotion, as well as theories of performativity and performative space, it emphasises that manliness was not simply a cultural ideal, but something practised, felt and embodied. Men on trial explores how gender could be a creative dynamic in productions of power. Targeted at scholars in Irish history, law and gender studies, this book argues that justice was not simply determined through weighing evidence, but through weighing men, their bodies, behaviours, and emotions. Moreover, in a context where the processes of justice were publicised in the press for the nation and the world, manliness and its role in the creation of justice became implicated in the making of national identity.

Full Product Details

Author:   Katie Barclay
Publisher:   Manchester University Press
Imprint:   Manchester University Press
Dimensions:   Width: 13.80cm , Height: 1.90cm , Length: 21.60cm
Weight:   0.503kg
ISBN:  

9781526132925


ISBN 10:   1526132923
Pages:   280
Publication Date:   29 October 2018
Audience:   College/higher education ,  Professional and scholarly ,  General/trade ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Katie Barclay is an Associate Professor in the ARC Centre for Excellence in the History of Emotions and Department of History, University of Adelaide

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