Overview

Can a sculpture be a river? Can contemporary art unite conflicting systems of belief? Do other species appreciate culture? And can public art revive communities and ecosystems? Cristina Iglesias' horizontal fountains, submerged rooms and tropical mazes bring together language, architecture and botany to create immersive spaces of contemplation. In this publication an international roster of curators, art critics, philosophers, architects and scientists discuss the social and ecological potential of art in urban and rural space.

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9783775748230

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"Video sculptures were a vehicle for mourning. At once ephemeral and monumental--or as Kubota put it, both hot and cold--it was the perfect medium for both remembering and letting go.--Emily Watlington ""Art In America"" Liquid Sculpture: The Public Art of Cristina Iglesias'... sees an international roster of curators, art critics, philosophers, architects and scientists weigh in on the social and ecological potential of art in urban and rural space, informed by the themes in Iglesias' work.--Harriet Lloyd-Smith ""Wallpaper*"" Awash with art--Cristina Iglesias fills island lighthouse with bronze geological formations--Editors ""Art Newspaper"""

Awash with art--Cristina Iglesias fills island lighthouse with bronze geological formations--Editors Art Newspaper

Author Information

Spanish artist CRISTINA IGLESIAS (*1956) creates profound spaces of the imagination. Renowned for her sculptures woven, cast or constructed from metal, wood and alabaster, Iglesias also creates outdoor structures and installations using water. Her work can be found in inner cities or remote islands, as a site of pilgrimage for humans or as a habitat for animals.

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