Keys to the Production Office: Unlocking Success as an Office Production Assistant in Film & Television

Author:   Jennifer A. Haire ,  Gilana M. Lobel
Publisher:   Taylor & Francis Ltd
ISBN:  

9781032180984


Pages:   272
Publication Date:   29 March 2022
Format:   Paperback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Keys to the Production Office: Unlocking Success as an Office Production Assistant in Film & Television


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Full Product Details

Author:   Jennifer A. Haire ,  Gilana M. Lobel
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.660kg
ISBN:  

9781032180984


ISBN 10:   1032180986
Pages:   272
Publication Date:   29 March 2022
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

SECTION 1: YOU ARE HERE; SECTION 2: WELCOME TO THE PRODUCTION OFFICE; SECTION 3: UNLOCKING THE ROLE OF THE OFFICE PA; SECTION 4: MAKING IT HAPPEN, BEHIND THE SCENES; SECTION 5: TURNING THE PAGE ON PRODUCTION PAPERWORK; SECTION 6: MASTERING THE ART OF WORKPLACE PERFORMANCE; SECTION 7: REEL LIFE, UNHINGED; SECTION 8: RESPONSIBLE PRODUCTION INITIATIVES; SECTION 9: THE BIG SCREEN VS. THE SMALL SCREEN; SECTION 10: WHERE YOUR STORY BEGINS; CONCLUSION; COORDINATOR CORNER; ACKNOWLEDGMENTS; APPENDIX DOCUMENTS; GLOSSARY

Reviews

'Every line producer and UPM should read this book and keep it as a reference. It covers soup to nuts about production dept infrastructure. Schools that teach filmmaking should make this mandatory reading. This is what's under-the-hood of the car. With our industry growing so fast, we are faced with more people in key positions with less mentored experience. Even for an experienced soul like myself, it's a great resource.' Cleve Landsberg, Producer and DGA UPM 'This book is a valuable resource for anyone interested in entering the film and television industry. The information divulged in this text is incredibly thorough and accessible. It is written with both advice from experts and foresight to prevent mistakes. This book needs to be in the back pocket of all recent film school graduates and those entering the industry. ' Jim Peterson, Director of Theatre and Film, Carmel High School, and Adjunct Professor, Ball State University


This book is a valuable resource for anyone interested in entering the film and television industry. The information divulged in this text is incredibly thorough and accessible. It is written with both advice from experts and foresight to prevent mistakes. This book needs to be in the back pocket of all recent film school graduates and those entering the 'industry.' Jim Peterson, Director of Theatre and Film, Carmel High School and Adjunct Professor, Ball State University


Author Information

"Jennifer A. Haire is a Line Producer and DGA Production Manager with global feature film and television experience. Proud to be a ""Fighting Pickle,"" she earned her BFA in filmmaking at the University of North Carolina School of the Arts. Her commitment to the industry includes serving on the Board of Directors for the Producers Guild of America, IATSE Local 871, and launching international Production crew training and Production safety education workshops. Gilana M. Lobel is a New York based Producer and DGA Production Manager. A graduate of the University of North Carolina School of the Arts, School of Filmmaking, her experience with the Production Office comes from working on major feature films and television shows in various capacities. She is dedicated to telling diverse stories and creating a more inclusive work environment by collaborating with numerous organizations to encourage upward mobility in the film and television industry."

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