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OverviewFull Product DetailsAuthor: Nolwenn MingantPublisher: State University of New York Press Imprint: State University of New York Press Dimensions: Width: 15.20cm , Height: 2.50cm , Length: 22.90cm Weight: 0.227kg ISBN: 9781438488554ISBN 10: 1438488556 Pages: 260 Publication Date: 01 May 2022 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsList of Illustrations Acknowledgments Introduction Part I: Winning Hearts in the Colonial Era (1910s–1950s) 1. Entering the Market (1910s–1940s) 2. Hollywood Films and Their Audience 3. Hollywood Films as Political Objects Part II: Losing Ground in a Changing Market: Political Independence and VCRs (1950s–1990s) 4. Political Upheavals: The Slow Disintegration of the Majors' Distribution Structure (1950s–1970s) 5. Losing Interest: The Move to Indirect Distribution (1970s–1990s) Part III: US Films Galore in the Digital Era (2000s–2010s) 6. The Porous Nature of Closed Markets 7. North Africa: Cinema and Informal Economy 8. Historical Markets: The Age of Maturity 9. Film Boom in the Gulf Conclusion Notes References IndexReviewsThis book greatly expands our understanding of international film distribution. Motion picture distribution is difficult to document because the business records of film companies are not generally open to researchers, and the subject has therefore attracted relatively little academic attention. Mingant's case study, however, demonstrates a firm command of the complexities of the subject by buttressing extensive research in secondary sources with primary sources from major archives, documentation from trade and government publications, and interviews with film professionals, government officials, and journalists. It will become the definitive history of the subject. - Tino Balio, author of Hollywood in the New Millennium """This book greatly expands our understanding of international film distribution. Motion picture distribution is difficult to document because the business records of film companies are not generally open to researchers, and the subject has therefore attracted relatively little academic attention. Mingant's case study, however, demonstrates a firm command of the complexities of the subject by buttressing extensive research in secondary sources with primary sources from major archives, documentation from trade and government publications, and interviews with film professionals, government officials, and journalists. It will become the definitive history of the subject."" — Tino Balio, author of Hollywood in the New Millennium" Author InformationNowlenn Mingant is Professor in US History and Culture at the University of Angers in France. She is author and editor of several books, including coeditor (with Cecilia Tirtaine) of Reconceptualising Film Policies. Tab Content 6Author Website:Countries AvailableAll regions |