Overview

This collection departs from the observation that online forms of communication—the email, blog, text message, tweet—are actually haunted by old epistolary forms: the letter and the diary. By examining the omnipresence of writing across a variety of media, the collection adds the category of Epistolary Screens to genres of self-expression, both literary (letters, diaries, auto-biographies) and screenic (romance dramas, intercultural cinema, essay films, artists’ videos and online media). The category Epistolary encapsulates an increasingly paradoxical relation between writing and the self: first, it describes selves that are written in graphic detail via letters, diaries, blogs, texts, emails and tweets; second, it acknowledges that absence complicates communication, bringing people together in an entangled rather than ordered way. The collection concerns itself with the changing visual/textual texture of screen media and examines what is at stake for our understanding of self-expression when it takes Epistolary forms.

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Teri Higgins is an independent scholar who received her Ph.D. from the University of Otago in 2013. Her thesis, Attention to Detail: Epistolary Discourse and Contemporary Cinema inspired the idea for this edited collection. Catherine Fowler is Professor in Film and Media at Otago University. She is the author of a BFI Classic on Jeanne Dielman and of a book on Sally Potter. Her essays on artists’ moving images have been published in journals including Screen, Cinema Journal and Framework.

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