Cinema of Discontent: Representations of Japan's High-Speed Growth

Author:   Tomoyuki Sasaki
Publisher:   State University of New York Press
ISBN:  

9781438490991


Pages:   286
Publication Date:   01 December 2022
Format:   Hardback
Availability:   Not yet available   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

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Cinema of Discontent: Representations of Japan's High-Speed Growth


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Author:   Tomoyuki Sasaki
Publisher:   State University of New York Press
Imprint:   State University of New York Press
Dimensions:   Width: 15.20cm , Height: 2.50cm , Length: 22.90cm
Weight:   0.227kg
ISBN:  

9781438490991


ISBN 10:   1438490992
Pages:   286
Publication Date:   01 December 2022
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   Not yet available   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

Table of Contents

List of Illustrations Acknowledgments Introduction: Narrating High-Speed Growth through Film 1. Drifting in Tokyo: Reconstruction and Uneven Development in Kawashima Yūzō’s Susaki Paradise Red Light (1956) 2. A Girl from Izu: Labor Migration and Modern Subjectivity in Masumura Yasuzō’s Blue-Sky Girl(1957) 3. Osaka, City of Spies: The Powerless Worker in Industrial Society in Inoue Akira’s Black Weapon (1964) 4. Yokohama Romance: The Cold War, Revolution, and Asian Solidarity in Ezaki Mio’s A Warm Misty Night (1967) 5. Waiting for Spring in Shiretoko: A Postscript to High-Speed Growth in Kumashiro Tatsumi’s The Light of Africa (1975) Coda Notes Bibliography Filmography Index

Reviews

"""Using film texts drawn from the 1950s to the 1970s, Sasaki brilliantly and insightfully deconstructs the myth of Japan's postwar 'economic miracle,' recognizing the (inevitably) uneven growth along with the heterogeneity of experiences generated by high-speed economic expansion. He writes from the perspective of an insider, a kind of historico-anthropologist of the anthropocene, and under his magnanimous microscope we feel for the characters in these films and come to know their context—perhaps better than any work on Japanese cinema I have read. I feel like I learn something—about cinema, economics, and culture—on almost every page."" — David Desser"


Using film texts drawn from the 1950s to the 1970s, Sasaki brilliantly and insightfully deconstructs the myth of Japan's postwar 'economic miracle,' recognizing the (inevitably) uneven growth along with the heterogeneity of experiences generated by high-speed economic expansion. He writes from the perspective of an insider, a kind of historico-anthropologist of the anthropocene, and under his magnanimous microscope we feel for the characters in these films and come to know their context-perhaps better than any work on Japanese cinema I have read. I feel like I learn something-about cinema, economics, and culture-on almost every page. - David Desser


Author Information

Tomoyuki Sasaki is Associate Professor of Japanese Studies at the College of William & Mary. He is the author of Japan's Postwar Military and Civil Society: Contesting a Better Life.

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