Bee Gees, Process and Latent Elements in Music Production

Author:   Pat O’Grady
Publisher:   Taylor & Francis Ltd
ISBN:  

9781032412290


Pages:   144
Publication Date:   26 November 2024
Format:   Hardback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Bee Gees, Process and Latent Elements in Music Production


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Author:   Pat O’Grady
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.453kg
ISBN:  

9781032412290


ISBN 10:   1032412291
Pages:   144
Publication Date:   26 November 2024
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Preface Introduction Chapter 1: ‘Spicks and Specks:’ Finding Latent Elements in Music Production Chapter 2: ‘New York Mining Disaster 1941:’ Reverb and Space as Latent Elements in Music Production Chapter 3: ‘How Can You Mend A Broken Heart’: Meaning as a Latent Element in Music Production Chapter 4: ‘Jive Talkin:’ Place as a Latent Element in Music Production Chapter 5: ‘Stayin’ Alive’: Looping as a Latent Element in Music Production Chapter 6: ‘Tragedy’: Nonsense Lyrics as a Latent Element of Music Production Chapter 7: ‘Guilty’: Vocality as a Latent Element in Music Production Chapter 8: ‘You Win Again’: Composite Layering as Latent Elements in Music Production Chapter 9: ‘Still Waters Run Deep:’ Guitar Tuning and Voicing as Latent Elements in Music Production Conclusions: Future Directions for Studying Latent Elements in Music Production Bibliography Discography Index

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Author Information

Pat O’Grady is a contemporary music researcher, educator, and practitioner, specializing in music production. He is a lecturer in music technology at the Australian National University. He has two decades of professional experience in producing and performing contemporary music. He is the current treasurer of the Australian/New Zealand branch of the International Association for the Study of Popular Music.

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