Art and Authority: Moral Rights and Meaning in Contemporary Visual Art

Author:   K. E. Gover (Philosophy professor, Philosophy professor, Bennington College, Vermont)
Publisher:   Oxford University Press
Edition:   1
ISBN:  

9780198867005


Pages:   208
Publication Date:   29 April 2021
Format:   Paperback
Availability:   To order   Availability explained
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Art and Authority: Moral Rights and Meaning in Contemporary Visual Art


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Overview

People engage with authored works all the time. They buy paintings, read books, download songs - they may even be artists themselves. Very rarely, however, is the concept of authorship brought into question. The basic idea that the artist as an author maintains some kind of claim to his or her creation, even as it circulates in the world at large, seems natural. It is the basis for copyright law and moral rights legislation which protect the rights of authors. But what is an author, and why do artists receive special legal recognition and protection that the creators of other kinds of artefacts do not? It is often assumed that artists have a special bond with their artworks, but the nature of this bond and its function as the source of an artist's authority over their work often goes unquestioned. Art and Authority is a philosophical essay on artistic freedom: its sources, nature, and limits. Artistic freedom can mean different things depending on the context in which it is invoked. K. E. Gover argues that the most fundamental form of artistic freedom involves the artist's authority to accept or disavow the works that they produce and to curate the works that bear their name. Our very concept of what an artwork is the intentional expression of the artist, for its own sake depends on this second-order endorsement by the artist of what they have made. Using real-world cases and controversies in contemporary visual art, Gover argues that the leading accounts of artistic authorship in the legal and philosophical literature have overlooked the significance of this moment.

Full Product Details

Author:   K. E. Gover (Philosophy professor, Philosophy professor, Bennington College, Vermont)
Publisher:   Oxford University Press
Imprint:   Oxford University Press
Edition:   1
Dimensions:   Width: 13.80cm , Height: 1.10cm , Length: 21.60cm
Weight:   0.264kg
ISBN:  

9780198867005


ISBN 10:   019886700
Pages:   208
Publication Date:   29 April 2021
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

1: Introduction 2: Art, Authorship, and Authorization 3: When the Work is Finished 4: The Artist and the Institution 5: Boundary Issues: Reconsidering the Artist's Sanction 6: Taking Pictures: Appropriation Art, Copyright, and Intentionalism 7: Conclusion

Reviews

The central ideas are worth engaging with, and on the whole, I believe the book makes a valuable contribution to the literature. * Iskra Fileva, Notre Dame Philosophical Reviews * Review from previous edition Surely the law could benefit from contributions as interesting, varied, and opinionated as those in Gover's book. * Brian Soucek, British Journal of Aesthetics *


Review from previous edition Surely the law could benefit from contributions as interesting, varied, and opinionated as those in Gover's book. * Brian Soucek, British Journal of Aesthetics * The central ideas are worth engaging with, and on the whole, I believe the book makes a valuable contribution to the literature. * Iskra Fileva, Notre Dame Philosophical Reviews *


Author Information

K. E. Gover is currently a JD candidate at Harvard Law School. She was a philosophy professor at Bennington College from 2005-2019, and held a visiting professorship at Columbia University in 2019-2020.

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