Overview

"""Being a novelist is less important than living to be one."" In the vibrant backdrop of New Orleans' bohemian French Quarter, six independent writers convene at La Tertulia, a sanctuary for creative minds yearning for literary recognition. Bound by their shared passion for writing, they inhabit an old house where they confront the harsh realities of an ever-evolving publishing industry. In this atmosphere of camaraderie and competition, literary aspirations intertwine with the complexities of human relationships. The novel ""We'll Meet in Stockholm"" pays homage to these courageous writers who strive to be heard in a world often indifferent to their talents. Laden with sarcasm, the title reflects the distant aspiration of winning the coveted Nobel Prize in Literature. For these writers, Stockholm embodies both an ironic utopia and a symbol of La Tertulia's unyielding spirit. Through their intertwined stories, ""We'll Meet in Stockholm"" delves into the complexity of the creative process, friendship, and the sacrifices necessary to pursue a shared passion. It is an exhilarating journey through the heart of creativity, where hope and irony intertwine in the eternal quest for literary greatness."

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Reviews

"I am enamored of how the story is a love letter to literature (new and old) and readers, balanced by the necessary evil of capitalism, the egoism of academia, and the dwindling landscape of publishing opportunities. I think you bring a new life to the paradox of living as an artist and making a living as an artist. As a mother and professor of young adults, I also think that you treat the popular and contemporary romance and YA genres with respect, deserved or not. In addition, your character development (as always) is so gentle, empathetic, and interesting. Recently, I've been studying Marc Chagall and the influence of shtetl structure and Yiddish culture in his work. The musical ""Fiddler on the Roof"" was staged to create the image of concentric circles (inspired by some of Chagall's paintings) that represented the shtetl community, its residents, and their stories. Your novel reminds me of this beauty and imagery: the story of six writers as a collective group, their individual stories, their connective stories, and the stories they create are all ripples in a lovely pond. My poetic writing is no match for yours, but I hope you get a sense of what I mean. Yours truly, Carrie Hollister"

Author Information

"William is a Colombian-American writer who captivates readers with his ability to depict both the unique experiences and universal struggles of humanity. Hailing from Colombia's Coffee Axis, he was born in Armenia and spent his youth in Bogot�, where he studied Marketing and Advertising at Jorge Tadeo Lozano University. In the 1980s, he immigrated to the United States, where he naturalized as a U.S. citizen and held prominent roles as a creative and image leader for projects with major corporations.After a successful career in the marketing world, William decided to fully dedicate himself to his true passion: literature. He began writing at the turn of the century, but it was in 2018 when he made the decision to make writing his primary occupation. He currently resides in Coral Gables, Florida, where he finds inspiration for his works. William's writing style is distinguished by its depth, humanity, and authenticity. Among his most notable works are 'The Beggars of Mercury's Light: We the Other People', 'The Galpon', 'Flowers for Mar�a Sucel', ' Ludovico', and 'We'll meet in Stockholm""."

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