Overview

Full Product Details

9780197266748

Table of Contents

Reviews

One of the key invocations of this publication is to prompt scholars, art historians, critics, curators & writers to consider intersectional feminist approaches in the research of global art histories as integral rather than niche. * Mandy Merzaban, Massachusetts Institute of Technology * This much-awaited volume ... provides tools and methods for further investigation, in which the appreciation of regional specificities in terms of knowledge and scholarly debates, as well as historical facts - although against the grain of contemporary tendencies - prove to be crucial for the transcultural and inclusive repositioning of the discipline of art history. * Dr Nadia Radwan, Universitat Bern * I want to welcome and celebrate this remarkable and significant collection of art historical work and art-writing as a profound contribution to the conditions of making and reading art in the postcolonial and the planetary that embody the shifting perspectives of generation and geography. * Prof. Griselda Pollock, University of Leeds *

I want to welcome and celebrate this remarkable and significant collection of art historical work and art-writing as a profound contribution to the conditions of making and reading art in the postcolonial and the planetary that embody the shifting perspectives of generation and geography. * Prof. Griselda Pollock, University of Leeds * This much-awaited volume ... provides tools and methods for further investigation, in which the appreciation of regional specificities in terms of knowledge and scholarly debates, as well as historical facts - although against the grain of contemporary tendencies - prove to be crucial for the transcultural and inclusive repositioning of the discipline of art history. * Dr Nadia Radwan, Universitat Bern * One of the key invocations of this publication is to prompt scholars, art historians, critics, curators & writers to consider intersectional feminist approaches in the research of global art histories as integral rather than niche. * Mandy Merzaban, Massachusetts Institute of Technology *

Author Information

Dr Ceren Özp)inar is a Senior Lecturer at the University of Brighton, History of Art and Design Programme. She was previously a British Academy Newton International Fellow at the University of Sussex (2015-17). Dr Özp)inar's research focuses on contemporary art, art historiography, and feminist art and art histories since 1960 with a special interest in Turkey and the Middle East. Her first monograph, The Art Historiography in Turkey (1970-2010) was published in 2016, and the next, entitled Politics of Writing Art Histories: Narratives of Contemporary Art, Feminism and Women Artists from Turkey, is forthcoming from Oxford University Press in 2021. Dr Mary Kelly (née Healy) is a Lecturer in Contemporary Art History, Theory and Gallery Studies & Director of the MA in Global Gallery Studies at University College Cork, Ireland. She is also a Research Associate at the Centre for Gender and Women's Studies, Trinity College Dublin. She is an Irish Research Council Awardee and a Fulbright Scholar. Dr Kelly's research and teaching employ a comparative discourse analysis which bridges European Orientalism and postcolonial theories; women's art and feminisms; contemporary art from the Middle East and North Africa, and the role of fine art galleries in societies. Her publications include invited chapters with the British Museum (2019); journal articles published in Cultural & Social History (2018) and Women Studies (2015); and her forthcoming monograph is entitled French Women Orientalist Artists, 1861-1956: Cross-cultural Contacts and Depictions of Difference (Ashgate, Taylor & Francis).

Tab Content 6

Customer Reviews

Recent Reviews

Countries Available