Overview

In this updated edition of Graeme Thomson's critically acclaimed biography, a near-exhaustive survey of Kate Bush's life surveys everything from her upbringing in South London to her stunning return to live performance in August 2014. The original edition of Under the Ivy was called one of the best music biographies ever, and this updated edition adds a wealth of new research to include the complete scope of Bush's oeuvre. With over seventy new interviews and in-depth analysis of her triumphant return to the stage after thirty-five years, this is the most complete Kate Bush biography and a must for any fan. Detailing everything from her upbringing to her early exposition of talent to her subsequent evolution into one of the most stunningly creative and fascinating visual and musical artists alive today, Under the Ivy truly is the story of one woman's life. This is in no way a superficial rumor-mill, however, as Thomson writes with great detail, accuracy, and above all admiration for her work, this is in equal parts a biography and an analysis of Kate Bush's art. Focusing on her unique working methods, her studio techniques, her timeless albums, and inescapable influence, Under the Ivy is a true exploration of one of the world's most underappreciated yet gifted artists. Eminently readable, this book will be an eye-opening journey of discovery for somebody unfamiliar with Bush but will also reward a long-term fan with new insights and fresh analysis

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Reviews

[An] excellent biography...Expertly unravelling her contradictions and motivations. In addition to his faultless research...Thomson's prose is often as rich and as eloquent as Bush's own writing. -- Record Collector The best music biography in perhaps the past decade...Absorbing, painstakingly researched, and downright fascinating...A magnificent read. -- Irish Times

Author Information

Graeme Thomson is one of Britain's leading music writers and the author of critically acclaimed biographies of George Harrison and Elvis Costello. He has written for the London Observer, New Statesman, Oxford American, the Telegraph, Time Out, MOJO, and Rolling Stone, and contributes regularly to the Guardian, Uncut, the Herald, and The Arts Desk.

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