Throw Your Voice: Suspended Animations in Kazakhstani Childhoods

Author:   Meghanne Barker
Publisher:   Cornell University Press
ISBN:  

9781501776465


Pages:   234
Publication Date:   15 August 2024
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Throw Your Voice: Suspended Animations in Kazakhstani Childhoods


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Overview

Throw Your Voice is a story of loss and recovery. It relates how children placed in a temporary care institution make sense of their situations. Moving between a Kazakhstan government children's home, Hope House, and the Almaty State Puppet Theater, Meghanne Barker shows how children, and puppets, as proxies, bring to life ideologies of childhood and visions of a rosy future. Sites and stories run in parallel. Framed by the narrative of Anton Chekhov's ""Kashtanka,"" about a lost dog taken in by a kind stranger, the author follows the story's staging at the puppet theater. At Hope House, children find themselves on a path similar to Kashtanka, dislodged from their first homes to reside in a second. The heart of this story is about living in displacement and about the fragile intimacies achieved amidst conditions of missing. Whether due to war, migration, or pandemic, people get separated from those closest to them. Throw Your Voice examines how strangers become familiar, and how objects mediate precarious ties. She shows how people use fantasy to mitigate loss.

Full Product Details

Author:   Meghanne Barker
Publisher:   Cornell University Press
Imprint:   Cornell University Press
Weight:   0.454kg
ISBN:  

9781501776465


ISBN 10:   1501776460
Pages:   234
Publication Date:   15 August 2024
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Meghanne Barker is Lecturer in Education, Practice and Society at the UCL Institute of Education and a Visiting Fellow in the Department of Media and Communications at the London School of Economics. She is an editor of Semiotic Review.

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