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OverviewThis core textbook provides a clear and accessible introduction to the key concepts of phenomenology in relation to theatre, showing how they shed light on the works of influential theatre-makers such as Brecht, Artaud, and Stanislavski. By placing these concepts in dialogue with theatre-makers, Johnston is able to demonstrate how philosophical ideas can be put to work in a theatrical context and how we can approach difficult theory from a practical perspective. Each chapter features exercises and topics for discussion to encourage readers to explore the ideas presented in more depth. This is an excellent resource for undergraduate and postgraduate students of theatre, performance studies, and philosophy. Full Product DetailsAuthor: Daniel Johnston (University of Sydney, Darlington, NSW, Australia)Publisher: Bloomsbury Publishing PLC Imprint: Red Globe Press Edition: 1st ed. 2017 Dimensions: Width: 14.80cm , Height: 1.40cm , Length: 21.00cm Weight: 0.424kg ISBN: 9781137530516ISBN 10: 1137530510 Pages: 210 Publication Date: 24 May 2017 Audience: College/higher education , Tertiary & Higher Education Format: Hardback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsAcknowledgements PART I Introduction: Before the Curtain 1. Preparing the Part: Theatre and Philosophy 2. Setting the Stage: Phenomenology in Context 3. Revealing the Scene: Phenomenology in the Theatre PART II 4. Stanislavski's Phenomenology of Being-in-the-World: Action and Involvement 5. Artaud's Phenomenology of Anxiety: Language and Being-Towards-Death 6. Brecht's Phenomenology of Being-with-Others: Authenticity and History Conclusions: Lights Up on Manual Philosophy Bibliography Notes.ReviewsAuthor InformationDaniel Johnston is a Principal Lecturer in Performance for Stage & Screen at Sheffield Hallam University, UK. Tab Content 6Author Website:Countries AvailableAll regions |
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