Overview

The Spoils of Poynton is a novel by Henry James, first published under the title The Old Things as a serial in The Atlantic Monthly in 1896 and then as a book in 1897. This novel traces the shifting relations among three people and a magnificent collection of art, decorative arts, and furniture arrayed like jewels in a country house called Poynton. Mrs. Gereth, a widow of impeccable taste and iron will, formed the collection over decades only to have it torn away from her when her son Owen decides to marry a frivolous woman. The story is largely told from the viewpoint of Fleda Vetch, a keenly intelligent young woman of straitened circumstances who, shortly after becoming the intimate friend and companion of Mrs. Gereth, falls in love with Owen. Sympathetic to Mrs. Gereth's anguish over losing the fine things she patiently collected, Fleda shuttles between the estranged mother and son, becoming ever more involved in their affairs. Widow Adela Gereth tells the sensitive and tasteful Fleda Vetch that she's afraid her son Owen (heir to the family home Poynton) will marry the coarse Mona Brigstock. Mrs Gereth dreads the prospect of her painstakingly collected furniture and other art objects being given up to a philistine wife, while being left to live alone in Ricks, a small and coarsely designed cottage bequeathed to her. Owen in turn enlists Fleda to get his mother to leave with a minimum of fuss. Fleda is shocked to find that Mrs Gereth has decorated Ricks with many of the best pieces from Poynton. Owen reports that Mona is angry with the 'theft' of the valuable heirlooms, and consequently becomes colder towards him. Meanwhile, he begins to show an attraction to Fleda and eventually declares his love for her. Fleda insists that he honour his engagement to Mona unless she breaks it off. Partial Portraits is a book of literary criticism by Henry James published in 1888. The book collected essays that James had written over the preceding decade, mostly on English and American writers. But the book also offered treatments of Alphonse Daudet, Guy de Maupassant and Ivan Turgenev. Perhaps the most important essay was The Art of Fiction, James' plea for the widest possible freedom in content and technique in narrative fiction. The Art of Fiction was a response to remarks by English critic Walter Besant, who wrote an article that literally attempted to lay down the laws of fiction. For instance, Besant insisted that novelists should confine themselves to their own experience: A young lady brought up in a quiet country village should avoid descriptions of garrison life. James argued that a sufficiently alert novelist could catch knowledge from everywhere and use it to good purpose: The young lady living in a village has only to be a damsel upon whom nothing is lost to make it quite unfair (as it seems to me) to declare to her that she shall have nothing to say about the military. Greater miracles have been seen than that, imagination assisting, she should speak the truth about some of these gentlemen. James continually argues for the fullest freedom in the novelist's choice of subject and method of treatment: The only obligation to which in advance we may hold a novel, without incurring the accusation of being arbitrary, is that it be interesting. In particular, James is suspicious of restraining fiction with specific moral guidelines: No good novel will ever proceed from a superficial mind; that seems to me an axiom which, for the artist in fiction, will cover all needful moral ground.

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