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In the first half of the nineteenth century, political parties and organizations, entrepreneurs and tourists, authors and artists, and descendants and enslaved people helped democratize George Washington's image while staking their own claims to the nation's history. Through meticulous research and graceful prose, Matthew Costello illuminates insightfully how Washington's body, tomb, relics, and stories became vehicles for recasting the father of his country as a man who belonged not just to a Virginian elite but to all Americans.--Scott E. Casper, author of Sarah Johnson's Mount Vernon: The Forgotten History of an American Shrine, dean of the College of Arts, Humanities, and Social Sciences, and professor of history, University of Maryland, Baltimore County The Property of the Nation roots today's larger-than-life image of George Washington in the complicated, intertwined processes of icon- and nation-making. Over the first half of the nineteenth century, politicians, enslaved African Americans, women, and the rising middling class played tug-of-war with Washington's symbolic meaning. Each laid claim to his vision for the new nation, revealing different motivations and visions for America's young democracy.--Lydia Mattice Brandt, author of First in the Homes of His Countrymen: George Washington's Mount Vernon in the American Imagination For well over a century, the focus of the roughly one million people who come to Mount Vernon each year has been the ancestral Virginia mansion that served as George Washington's residence. This was not, however, the case for much of the first decades after his death, before historic preservation became a thing, when what resonated with the people who made the journey to Mount Vernon was not Washington's home but his burial place. Not grand or imposing, the original family tomb was a small brick structure nestled in a forested clearing, just down the hill from the imposing mansion. In this new book, Matthew Costello tells the long-untold story of that tomb and how Washington, a lifelong member of the Virginia aristocracy, came to be embraced as a symbol of American democracy and a man of the American people.--Mary V. Thompson, research historian, Fred W. Smith National Library for the Study of George Washington

In the first half of the nineteenth century, political parties and organizations, entrepreneurs and tourists, authors and artists, and descendants and enslaved people helped democratize George Washington's image while staking their own claims to the nation's history. Through meticulous research and graceful prose, Matthew Costello illuminates insightfully how Washington's body, tomb, relics, and stories became vehicles for recasting the father of his country as a man who belonged not just to a Virginian elite but to all Americans. --Scott E. Casper, author of Sarah Johnson's Mount Vernon: The Forgotten History of an American Shrine, dean of the College of Arts, Humanities, and Social Sciences, and professor of history, University of Maryland, Baltimore County The Property of the Nation roots today's larger-than-life image of George Washington in the complicated, intertwined processes of icon- and nation-making. Over the first half of the nineteenth century, politicians, enslaved African Americans, women, and the rising middling class played tug-of-war with Washington's symbolic meaning. Each laid claim to his vision for the new nation, revealing different motivations and visions for America's young democracy. --Lydia Mattice Brandt, author of First in the Homes of His Countrymen: George Washington's Mount Vernon in the American Imagination For well over a century, the focus of the roughly one million people who come to Mount Vernon each year has been the ancestral Virginia mansion that served as George Washington's residence. This was not, however, the case for much of the first decades after his death, before historic preservation became a thing, when what resonated with the people who made the journey to Mount Vernon was not Washington's home but his burial place. Not grand or imposing, the original family tomb was a small brick structure nestled in a forested clearing, just down the hill from the imposing mansion. In this new book, Matthew Costello tells the long-untold story of that tomb and how Washington, a lifelong member of the Virginia aristocracy, came to be embraced as a symbol of American democracy and a man of the American people. --Mary V. Thompson, research historian, Fred W. Smith National Library for the Study of George Washington

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Matthew R. Costello is senior historian at the White House Historical Association and was a project contributor for the George Washington Bibliography Project, George Washington Papers. His work has appeared in such publications as White House History, Journal of History and Cultures, and Essays in History.

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