The Performance of Listening in Postcolonial Francophone Culture

Author:   Jennifer Solheim
Publisher:   Liverpool University Press
Volume:   52
ISBN:  

9781800855779


Pages:   200
Publication Date:   01 August 2021
Format:   Paperback
Availability:   In Print   Availability explained
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The Performance of Listening in Postcolonial Francophone Culture


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Overview

The Performance of Listening in Postcolonial Francophone Culture argues that globalized media has allowed for efficient transmission of transnational culture, and in turn, our everyday experiences are informed by sounds ranging from voices, to music, to advertising, to bombs, and beyond. In considering cultural works from French-speaking North Africa and the Middle East all published or released in France from 1962-2011, Solheim’s study of listening across cultural genres will be of interest to any scholar or lay person curious about contemporary postcolonial France. This book is also a primer to contemporary Francophone culture from North Africa and the Middle East. Some of the French-speaking world’s most renowned and adored artists are the subject of this study, including preeminent Algerian feminist novelist, filmmaker and historian Assia Djebar (1936-2015), the first writer of the Maghreb to become part of the Académie Française; celebrated Iranian graphic novelist and filmmaker Marjane Satrapi (Persepolis, Chicken with Plums); the lauded Lebanese-Québecois playwright and dramaturge Wajdi Mouawad (Littorial, Incendies), and Lebanese comic artist and avant jazz trumpeter Mazen Kerbaj, whose improvisation with Israeli fighter jets during the 2006 Israeli War, “Starry Night,” catapulted him to global recognition. An interdisciplinary study of contemporary Francophone cultures, this book will be of interest to French scholars and students in literary studies, performance studies, gender studies, anthropology, history, and ethnomusicology.

Full Product Details

Author:   Jennifer Solheim
Publisher:   Liverpool University Press
Imprint:   Liverpool University Press
Volume:   52
ISBN:  

9781800855779


ISBN 10:   180085577
Pages:   200
Publication Date:   01 August 2021
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

List of Illustrations ixAcknowledgments xi1 Introduction 1 Part I: The Performance of Listening in Literary Narratives2 Cut Sound: The Literary Staging of Silence 233 Visual and Sonic Imagery in PostcolonialFrancophone Culture 55 Part II: The Performance of Listening in Film and Theater4 Citational Hooks: Music and Middle Eastern GenderIdentities in Postcolonial Francophone Film and Theater 91 Part III: The Performance of Listening in Music5 Covering French Universalism: Alter-Globalism inKabyle Music in France 1296 Beirut Calling: The Performance of Listeningin Digital Discourses of Conflict 157 Bibliography 166Index 173

Reviews

Reviews 'Solheim is clearly very able to read in critical depth and offers some original insights ... which would have a significant shelf life and broad readership not only in music and cultural studies, but also in sound studies, sociology, history and perhaps even literary studies.' Helen Julia Minors, Kingston University 'In The Performance of Listening in Postcolonial Francophone Culture, Jennifer Solheim foregrounds an important and often overlooked aspect of cultural analysis: the call to listen...The Performance of Listening in Postcolonial Francophone Culture is a fascinating and compelling project.' Claire Launchbury, H-France Review


Reviews ‘Solheim is clearly very able to read in critical depth and offers some original insights … which would have a significant shelf life and broad readership not only in music and cultural studies, but also in sound studies, sociology, history and perhaps even literary studies.’ Helen Julia Minors, Kingston University 'In The Performance of Listening in Postcolonial Francophone Culture, Jennifer Solheim foregrounds an important and often overlooked aspect of cultural analysis: the call to listen...The Performance of Listening in Postcolonial Francophone Culture is a fascinating and compelling project.' Claire Launchbury, H-France Review


Author Information

Jennifer Solheim is an independent scholar of French and Francophone Studies. She received her degree from University of Michigan in French in 2011 and currently works as a freelance academic editor. You can learn more about her work at www.jennifersolheim.com.

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