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Overview'A formidable work' - Nigel Barley, author of The Innocent Anthropologist 'Should be required reading' - Richard Lambert, Financial Times 'A magnificent, moving survey' - Felipe Fernandez-Armesto, TLS This is a history of the ways in which foreign and prehistoric peoples were represented in museums of anthropology, with their displays of arts and artifacts, their dioramas, their special exhibitions, and their arrays of skulls and skeletons. Originally created as colonial enterprises, what is the purpose of these places today? What should they do with the items in their custodianship? And how can they help us to understand and appreciate other cultures? Informed by a lifetime of research and scholarship, this subtle and original work tackles painful questions about race, colonialism, difference, and cultural appropriation. The result is a must-read for anyone concerned with the coexistence of different modes of life. Full Product DetailsAuthor: Adam KuperPublisher: Profile Books Ltd Imprint: Profile Books Ltd Edition: Main Dimensions: Width: 12.80cm , Height: 3.20cm , Length: 19.60cm Weight: 0.340kg ISBN: 9781800810938ISBN 10: 1800810938 Pages: 432 Publication Date: 01 February 2024 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Out of stock  The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsReviews"A formidable work ... one whose want has been much felt -- Nigel Barley, former Assistant Keeper at the British Museum and author * The Innocent Anthropologist * A magnificent, moving survey ... Kuper's case is strong and his voice - erudite and elegiac - commands respect -- Felipe Fernández-Armesto * TLS * A provocative look at questions of ethnography, ownership and restitution ... should be required reading for the trustees of big museums everywhere -- Richard Lambert * FT * Material for thought ... Nothing beats reading this book, without bias but with a sort of peaceful objectivity, sometimes polemical -- Olivier Gabet, Director of the Department of Art at the Louvre This is the must-read book for anyone interested in the history of ethnographic museums and how the urban public of Western industrial nations learned about the myriad ""other people"" living on our planet. Kuper applies his monumental knowledge of the history of anthropological scholarship to lay out his vision of how the ethnographic museums were born, thrived, and eventually moved to the margins of public imagination. Yet, as he rightly claims, big ethnographic museums face new beginnings in the 21st century - ones defined by creative exhibits, ethical stewardship, and modern education about lives and cultures of world's ""other people"" -- Igor Krupnik, Chair of Anthropology and Curator of Circumpolar Ethnology at the National Museum of Natural History, Smithsonian Institution Adam Kuper shows in his engaging new overview of the Western world's ethnology/antiquities/natural history museums that the issues of identity and ethics with which these key cultural institutions wrestle today have very deep roots indeed. His book is obligatory reading for anyone interested in the complexities of international repatriation, the boundaries of ""art,"" and the role of museums in the modern world -- Ian Tattersall, curator emeritus at the American Museum of Natural History A delight from the first to the last page [which] raises questions that could lead to ways out of the dilemmas ... The juxtapositions of the different positions, which Adam Kuper presents very pointedly, clarifies the arguments with a sharpness that I have rarely experienced. It will certainly provoke dissent, but that is what the discipline (especially in its museums branch) thrives on (or should thrive on) ... Wonderful -- Dr Anna Schmid, Director of the Museum of Cultures Basel A level-headed survey of the rise and fall of anthropological and ethnographic collections and what their futures may hold ... Kuper steers a pragmatic course through these perilous waters -- Keith Miller * Art Newspaper * Praise for Adam Kuper: 'Witty, entertaining, and compulsively readable -- David N. Gellner, University of Oxford Will enlighten any reader ... [Kuper] brings to life the personalities and clashes during a time that spawned outsize personalities, moments of brilliance, and several generations of students -- Stephen Gudeman, University of Minnesota An excellent, comprehensive tour through one of the most important and influential schools of anthropological theory * New Books Network *" Praise for Adam Kuper 'Witty, entertaining, and compulsively readable -- David N. Gellner, University of Oxford Will enlighten any reader ... [Kuper] brings to life the personalities and clashes during a time that spawned outsize personalities, moments of brilliance, and several generations of students -- Stephen Gudeman, University of Minnesota An excellent, comprehensive tour through one of the most important and influential schools of anthropological theory * New Books Network * 'A formidable work ... one whose want has been much felt' - Nigel Barley, former Assistant Keeper at the British Museum and author 'A magnificent, moving survey ... Kuper's case is strong and his voice - erudite and elegiac - commands respect' - Felipe Fernandez-Armesto 'A provocative look at questions of ethnography, ownership and restitution ... should be required reading for the trustees of big museums everywhere' - Richard Lambert 'Material for thought ... Nothing beats reading this book, without bias but with a sort of peaceful objectivity, sometimes polemical' - Olivier Gabet, Director of the Department of Art at the Louvre 'This is the must-read book for anyone interested in the history of ethnographic museums and how the urban public of Western industrial nations learned about the myriad ""other people"" living on our planet. Kuper applies his monumental knowledge of the history of anthropological scholarship to lay out his vision of how the ethnographic museums were born, thrived, and eventually moved to the margins of public imagination. Yet, as he rightly claims, big ethnographic museums face new beginnings in the 21st century - ones defined by creative exhibits, ethical stewardship, and modern education about lives and cultures of world's ""other people""' - Igor Krupnik, Chair of Anthropology and Curator of Circumpolar Ethnology at the National Museum of Natural History, Smithsonian Institution Author InformationAdam Kuper was most recently Centennial Professor of Anthropology at the London School of Economics and a visiting professor at Boston University. A Fellow of the British Academy and a recipient of the Huxley Medal of the Royal Anthropological Institute, Kuper has appeared on BBC TV and radio and reviewed regularly for the LRB and TLS, among others. Tab Content 6Author Website:Countries AvailableAll regions |
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