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Excerpt from The Migration of Symbols Those familiar with the delightful papers con tributed in recent years by the Count Goblet d'alviella to the Bulletin de z'ama'emz'e royale a'e Belgique on le Tricula, ou vardhamana des Bouddhistes, l'histoire du Globe Ailee, la Croix Gammee ou Svastika, les Arbres Paradisiaques, and other allusive types of the ancient reli ions of the Old World, warmly welcomed the pub ication, at Paris, in 1892, of his collective work on La Mi grmzoles, setting forth on a more syste matic plan, and with fuller references to original authorities and illustrations from authentic ex amples, the matured and permanent results of the learned and accomplished author's examination of the enigmatic subject of which he is now everywhere recognized as the greatest living exponent. It had been treated by others in a similar comprehensive spirit, but never before in the same thoroughly scientific manner; and thus, while the writings of Dupuis and Creuzer have, in spite of their immense erudition, but served to discredit it, and are already obsolete, the Count Goblet d'alviella, by pursuing his investigations on a severely inductive basis, at once, and, so to say, single handed, raised the inquiry to its proper position as a department of archaeological research, producing a work destined to exert an abiding influence on the whole future of the study of symbolism, and also, I would fain hope, on that of the decorative designs of the artistic industries of the West. One, indeed, of Messrs. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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