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OverviewWhy do contemporary writers use myths from ancient Greece and Rome, Pharaonic Egypt, the Viking north, Africa’s west coast, and Hebrew and Christian traditions? What do these stories from premodern cultures have to offer us? The Metamorphoses of Myth in Fiction since 1960 examines how myth has shaped writings by Kathy Acker, Margaret Atwood, William S. Burroughs, A. S. Byatt, Neil Gaiman, Norman Mailer, Toni Morrison, Thomas Pynchon, Kurt Vonnegut, Jeanette Winterson, and others, and contrasts such canonical texts with fantasy, speculative fiction, post-singularity fiction, pornography, horror, and graphic narratives. These artistic practices produce a feeling of meaning that doesn't need to be defined in scientific or materialist terms. Myth provides a sense of rightness, a recognition of matching a pattern, a feeling of something missing, a feeling of connection. It not only allows poetic density but also manipulates our moral judgments, or at least stimulates us to exercise them. Working across genres, populations, and critical perspectives, Kathryn Hume elicits an understanding of the current uses of mythology in fiction. Full Product DetailsAuthor: Prof Kathryn Hume (Penn State University, USA)Publisher: Bloomsbury Publishing Plc Imprint: Bloomsbury Academic USA Weight: 0.449kg ISBN: 9781501359873ISBN 10: 1501359878 Pages: 208 Publication Date: 20 February 2020 Audience: College/higher education , Tertiary & Higher Education Format: Hardback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsPreface 1. Prolegomenon: Myth as a Tool in the Artist’s Toolbox 2. Multiple Selves and Egyptian Mythology (Mailer, Burroughs, Reed, Zelazny) 3. Mythological Worlds and Death (Acker, Gibson, Gaiman, Byatt, Kennedy, Pynchon, Morrow) 4. Orpheus and Eurydice: Variations on a Theme (Delany, Hospital, Hoban, Gaiman, Powers, and others) 5. Invented Myth: The Problem of Power (Acker, Barthelme, Hoban, Moore, Calvino, Gaiman) 6. Situational Myth: Posthuman Metamorphoses (McCaffrey, McIntyre, Simmons, Doctorow, Piercy, Stross, Rucker) 7. The Contemporary Functions of Myth as Artistic Tool (Pynchon, Arthurian Stories, Faber, Pullman, Morrow, Ducornet, Marcus, Atwood, Vonnegut, Naylor, Morrison, Silko, Östergren, Winterson, Grossman, Rucker) Conclusion Bibliography Notes IndexReviewsThe great strength of this book lies in the remarkable range and general erudition of its author, Kathryn Hume, whose title cleverly intimates her argument: that myth, which so often marshals metamorphosis as its subject matter, can itself undergo transformation. In an era sometimes imagined as having repudiated this most indestructible of storytelling vehicles, Hume demonstrates convincingly that, far from having suffered postmodern eclipse, myth is the contemporary Arethusa who escapes a poststructuralist Alpheus to rise, transformed, where he cannot pursue. * David Cowart, Distinguished Professor Emeritus, University of South Carolina, USA * Author InformationKathryn Hume is Edwin Erle Sparks Professor of English Emerita at Penn State University, USA. She is the author of Fantasy and Mimesis (1984), Pynchon’s Mythography (1987), Calvino’s Fictions (1992), American Dream, American Nightmare (2000), and Aggressive Fictions (2012). Tab Content 6Author Website:Countries AvailableAll regions |
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