The Materiality of Color: The Production, Circulation, and Application of Dyes and Pigments, 1400–1800

Author:   Andrea Feeser ,  Maureen Daly Goggin ,  Beth Fowkes Tobin ,  Assoc. Prof. Michael E. Yonan
Publisher:   Taylor & Francis Ltd
Edition:   New edition
ISBN:  

9781409429159


Pages:   390
Publication Date:   20 November 2012
Format:   Hardback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Our Price $305.00 Quantity:  
Add to Cart

Share |

The Materiality of Color: The Production, Circulation, and Application of Dyes and Pigments, 1400–1800


Add your own review!

Overview

Full Product Details

Author:   Andrea Feeser ,  Maureen Daly Goggin ,  Beth Fowkes Tobin ,  Assoc. Prof. Michael E. Yonan
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Edition:   New edition
Dimensions:   Width: 17.40cm , Height: 2.80cm , Length: 24.60cm
Weight:   1.111kg
ISBN:  

9781409429159


ISBN 10:   1409429156
Pages:   390
Publication Date:   20 November 2012
Audience:   College/higher education ,  Professional and scholarly ,  Postgraduate, Research & Scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Reviews

The Materiality of Color is a remarkable collection of essays on the meaning of color as found in social and cultural contexts. While the aesthetics of color is duly taken into account, the focus is on color production - technology transfer, monopolies, labor regimes, and economies of exchange. The authors make clear that the substances of color production, such as arsenic, mercury, urine, and dung, are as important as the dazzling colors they produced. Blending the histories of technologies and commodities as well as cultural and literary history, the volume makes a distinctive contribution to understanding of the global context in which the modern world of color was born. Robert Finlay, Department of History, University of Arkansas, USA 'The principal contribution of The Materiality of Color is to deepen our appreciation of colorants as commodities and the products of human labor. Through its focus on production, readers see the hardship and complexity of manufacturing dyes and getting them to market.' CAA Reviews 'Given their wide approach, every angle the authors consider give [sic] the topic a fresh perspective. ... a welcome addition to a complex subject, which will be suitable to the fields of history, art history, and Latin American and colonial studies.' Renaissance Quarterly


'The Materiality of Color is a remarkable collection of essays on the meaning of color as found in social and cultural contexts. While the aesthetics of color is duly taken into account, the focus is on color production - technology transfer, monopolies, labor regimes, and economies of exchange. The authors make clear that the substances of color production, such as arsenic, mercury, urine, and dung, are as important as the dazzling colors they produced. Blending the histories of technologies and commodities as well as cultural and literary history, the volume makes a distinctive contribution to understanding of the global context in which the modern world of color was born.' Robert Finlay, Department of History, University of Arkansas, USA 'The principal contribution of The Materiality of Color is to deepen our appreciation of colorants as commodities and the products of human labor. Through its focus on production, readers see the hardship and complexity of manufacturing dyes and getting them to market.' CAA Reviews 'Given their wide approach, every angle the authors consider gives the topic a fresh perspective. ... a welcome addition to a complex subject, which will be suitable to the fields of history, art history, and Latin American and colonial studies.' Renaissance Quarterly


Author Information

Andrea Feeser is Associate Professor of Modern and Contemporary Art, Theory, and Criticism at Clemson University, USA. Maureen Daly Goggin is Chair in the Department of English, Arizona State University, USA. Beth Fowkes Tobin is Professor of English and Women's Studies at the University of Georgia, USA. Andrea Feeser, Maureen Daly Goggin, Beth Fowkes Tobin, Jason D. LaFountain, Molly Harbour Basset, Jeanette Favrot Peterson, Mitchell M. Harris, Vanessa Alayrac-Fielding, Jeremy Baskes, Jean-Francois Lozier, Padmini Tolat Balaram, Sarah Lowengard, Stephanie Karine Boulogne, Eva Deak, Richard Blunt, Amy Buono, Elaine M. Gibbs.

Tab Content 6

Author Website:  

Customer Reviews

Recent Reviews

No review item found!

Add your own review!

Countries Available

All regions
Latest Reading Guide

Aorrng

Shopping Cart
Your cart is empty
Shopping cart
Mailing List